Figures of people of aliens rock drawings. For everyone and everything

One of the most controversial topics of our time is encounters with aliens. Some people unquestioningly believe that such meetings took place, others treat such a possibility with a certain amount of sarcasm. It is quite possible that the news that Indian archaeologists intend to seek help from NASA to jointly study rock paintings depicting alleged aliens discovered in the Charam region may suffer the same fate.

The age of these drawings is tentatively estimated at ten thousand years. They depict figures in specific costumes resembling spacesuits, and next to them are incomprehensible devices on three legs. According to locals, ancient legends tell that these people descended from heaven and took with them several villagers who were never seen again.

Skeptics in response say that there was no contact with aliens, and all the drawings depicting aliens are actually ritual costumes that existed at a certain stage in the development of human civilization. At the same time, scientists who are seriously studying the possible contacts of aliens with earthlings argue that this issue should not be taken so lightly.

First of all, because so far there is no reason to deny the existence of an alien civilization. In addition, many scientists believe in the existence of other worlds. This raises a logical question: if aliens exist, then whether they could in ancient times, and whether they can now make contact with people. So far, there is no evidence of paleocontacts, but at the same time, there are facts that are extremely difficult to explain. It remains only to understand whether these facts are proof of the existence of alien life, or is it just the boundlessness of human imagination.

However, not only Western scientists believe in the existence of aliens and in contacts with them. One of the creators of the theory of paleocontacts is the Soviet science fiction writer A. Kazantsev, who suggested that the Tunguska meteorite is actually spaceship an alien that crashed. But back to the drawings. The images found in India are far from the only ones, there are quite a lot of them around the world.

It is quite obvious that until scientists discover a real alien in a spacesuit, or until humanity witnesses the arrival of aliens, the debate about whether these pictures are real or not will continue. But why would an alien still need a spacesuit? Perhaps, in order not to infect earthlings with some of their diseases or not to get infected from people themselves.

It has long been known that when people from different continents come into contact, they can catch dangerous diseases. And in conditions of complete isolation of civilization, any virus can be deadly. If we take on faith such an idea of ​​extraterrestrial life, then it turns out that aliens are the same physical beings as people, and their genetic apparatus is built on a principle similar to that of humans. But at the same time, there is another hypothesis - that in the Universe there are completely different forms of life - ammonia or organosilicon.

The first of them, even in Antarctica, would be too hot, and the second - and it would be cool in the oven. That is why for such alien aliens a spacesuit was a vital necessity when flying to our planet. There is also a theory that the whole thing is not at all in biology, but in psychology, about which aliens from other planets should have an idea.

More specifically, people are frightened by those images that are similar to them, but differ in some way, because it is not known how to establish contact with such a creature, and in general, whether it will work. Such a theory explains why the aliens in the pictures have frosted helmets - the aliens simply did not want to show their faces to people. According to another hypothesis, the aliens see in another electromagnetic range, whose radiation is opaque to visible light.

For example, if aliens live on a dark planet that revolves around Mars, then their eyes see only in the infrared range. Then it can be assumed that the helmets of the aliens were with one-sided light transmission. It was pure water science fiction a century ago, but now people have also learned how to make similar glasses. Thus, theories largely agree that from a biological point of view, aliens are very similar to humans: they have a head, two arms, two legs, but the face and vision are different.

But then it turns out that the alien inhabitants are not very far ahead of people in technological development, and this completely denies the assumption of a high development of alien civilizations. It should also be noted that in the cave paintings, alien transport is also depicted in a strange way. Ancient legends say that aliens descended from heaven on fiery chariots, poles and other means of transportation powered by jet engines.

But it is known that such transport is inconvenient, uneconomical and certainly not suitable for interplanetary flights. Of course, in terms of ancient man, such vehicles could be the pinnacle of technology, but in modern world everyone knows that the summit is far away. Thus, the wave is possible that there are no aliens in the drawings. But what really arouses great interest and is shrouded in mystery is the reports of “flying saucers” that are received today: people see objects in the sky that instantly slow down and accelerate, change direction at an acute angle, completely refuting the law physics.

If there were living beings in these objects, they would, roughly speaking, simply be “smeared on the walls”. In addition, from time to time there are publications in the media about strange light rays that move not only people, but also things and cars. It remains unclear who needs such illuminations and why. Light is necessary to see, but even people now have a technique that does not require illumination.

So it turns out that the aliens, on the one hand, do everything possible to go unnoticed, but at the same time, they do a lot to ensure that people pay attention to them. Somehow there is not enough logic. If aliens have already reached such a level of technological development that they refute most physical laws, then why are they demonstrating their presence?

With such high technology, it would not be difficult for them to achieve invisibility, or at worst create biomechanical robots that cannot be distinguished from people. It is also important that people finally realized the complexity of long-distance flights in space, and even to the nearest planets. Humans are still using chemical rockets and no change is expected in the near future.

For flights within solar system plasma, ion and nuclear engines, but you can’t fly to the stars on them, something revolutionary new is needed. Not so long ago, the idea of ​​the so-called warp engine appeared, which is capable of crushing the space around it. Thus, with a relatively low speed, you can quickly move from one star to another.

Such a ship would not violate the laws of physics. Theoretically, it can be created, although at present there are many questions and problems in this area. At the same time, this idea may well be feasible during our century. From the point of view of biology, in such a short period of time, people will not be able to radically change, so no new breakthroughs in robotics and communications may occur.

Then people can go to alien civilizations in the same outfit as depicted in the rock paintings. In this regard, some scientists express the opinion that there were no aliens at all, just that people managed to turn the space-time continuum and flew to themselves. There is another hypothesis - about the existence multiple universes adjacent to each other, or located in each other.

Then it turns out that aliens are just neighbors of earthlings from another space, dropping in on a visit by mistake or with certain goals. All this indicates that our ancestors had a hard time predicting technological breakthroughs. Stanislav Lemm's pilot Pirks got into an atomic rocket, as if into a car, at the Strugatskys the conquerors of the universe traveled on photon rockets. But not a single science fiction writer has been able to predict our real future - the Internet, mobile networks and almost complete space helplessness.

Technical civilization has taken a different path of development, and no one can predict what will happen next. From the same point of view, numerous artifacts that archaeologists find can be considered. And even though they do not at all prove contacts between aliens and people, they still allow us to conclude that the development of human civilization was marked not only by amazing technical breakthroughs and insights, but also by regression, failures and failures.

September 5th, 2013

Here is a gargoyle located on one of the abbeys in Scotland. What's this? "Aliens" visited our planet? Or maybe medieval sculptors depicted aliens this way?

Now we find out...

The gargoyle is located around here:

Photo by REX/Michael McGurk

However, the reason for its appearance is quite prosaic.

In the 90s, all the statues of gargoyles were removed from the walls of the Scottish Paisley Abbey, located near Glasgow, for the purpose of restoration. Some figures were restored, while others simply had to be made anew. One of their restorers did his best by making a statue of an alien from the movie "Alien".

Here was another one misterious story with the image of an astronaut or an alien on an old cathedral a few years ago I walked on the Internet:

This riddle is associated with a relief image of an astronaut on the wall of a cathedral in Spain. Cathedral of St. Jerome was built in 1102 AD. Bishop of Salamanca. Is this a picture of a man from the future? Or is this evidence of technologies that existed as early as 1100?!

Actually, neither. In 1992, the cathedral was restored and additional modern motifs were introduced. The reason for the appearance of these motifs was the tradition of temple builders and restorers, which consists in the free inclusion of modern motifs in old decorations. This way of restoring old buildings can, of course, be regarded as the signature of his work. The architect Hieronimo Garcia chose the astronaut as a symbol of the twentieth century.

However, in essence, this is a distortion of an ancient monument, the introduction of alien content, which is called the modernization of the past. Such embellishment was in wide use in antiquity and in the Middle Ages, but, as we see, it has not died to this day. It concerns not only buildings and other material monuments, but also texts, paintings, films, etc. So, for example, sites on the Internet have given out this fake at face value.

In general, gargoyles are still like this:

A gargoyle is a grotesque figure carved from stone, which was created to drain water from the roofs and side facades of large buildings.

Gargoyles are weird, creepy, obnoxious, and sometimes downright disgusting. For centuries they hang over many streets and cities, silently watching the people swarming below. They carry their silent post for so long that many of us do not even suspect that there is a point in gargoyles. Let's take a look at these stone monsters with a mysterious purpose.

2. Usually we associate them with medieval times (thanks to one well-known hunchback), but they appeared much earlier. These are not just scary statues. Many gargoyles are shaped like certain animals, and this is no coincidence.

The lion and the lioness were favorite images of the creators of gargoyles. For example, at Dornoch Cathedral in Scotland there is such a cute lioness, grinning at passers-by below. The lion was one of the most popular non-European animals used in medieval churches and cathedrals. Later they became popular in the form of gargoyles (there are a lot of them in Pompeii), and they symbolized the sun - their golden mane represented the solar crown of our life.

4. However, in the Middle Ages, the builders of cathedrals used the lion as a symbol of pride, which, of course, was one of the seven deadly sins, and therefore it was worth avoiding. This lion, for example, looks quite proud. It is located at one of the colleges in France. In addition to lions, other types of cats were practically not used in the creation of gargoyles. Cats were a symbol of witchcraft, so they were avoided.

5. Dog. This gargoyle is located on the tower of Philip IV the Handsome in the palace in Dijon, again, in France.

Dogs have always been very popular, and they are rarely looked upon only as pets. They guarded houses at night, so they were considered smart and devoted. On the one hand, it can be assumed that, as gargoyles, the statues of dogs were supposed to guard buildings, but their presence on the roofs is also due to another reason. Dogs are always hungry, and they often stole food from people, so in those days their figures were often placed on cathedrals and churches, so that everyone could see that even such a devoted animal as a dog can succumb to the temptations of the devil and become a victim of greed.

6. Wolf.

Although wolves were also considered greedy, they were treated with some respect, as they these animals have always worked together. It was then that the expression "leader of the pack" was born. Wolves were also associated with priests who were supposed to protect people from the devil - thus, the wolf even managed to be in the form of a protector of the lambs of God. The gargoyles on the roofs also often gathered in a “flock”, because. the architects wanted to divert rainwater in different directions. During a rainstorm, one gargoyle would not be enough. Gargoyles were made elongated so that the water flowed as far as possible from the wall.

7. Eagle. Gargoyle in the form of an eagle at the Cathedral of St. Rumbold in Mechelen, Belgium.

Eagles were the protectors of buildings, in particular, from dragons, for, as the medieval people believed, eagles were the only creatures capable of defeating a winged serpent. It was said that they could heal themselves by looking directly at the sun, which had long been the personification of the deity.

8. Serpent. This serpent on a building in Krakow, Poland warns people of the sins of the flesh.

The snake is associated with original sin, and therefore this stone beast can be found in almost all the cathedrals of Europe. Since the time of Adam and Eve, the serpent has been a symbol of the constant struggle between good and evil. Among the seven deadly sins, the snake represents envy. They were also considered immortal, which meant that the fight against sins would continue forever.

9. Ram or goat. This gargoyle is located on the cathedral in Barcelona.

Like most of the animals presented here, the goat also had dual nature in the eyes of medieval Christians. On the one hand, they were considered divine, because. they knew how to find food even among steep cliffs and survive in the most difficult situations. On the other hand, they were considered evil creatures and a symbol of lust - another of the seven deadly sins. And, of course, what animal is usually associated with Satan?

10. Monkey.

Our closest relatives have always been looked at as what will happen to us if something in nature goes wrong. However, they were often considered stupid and lazy. That is why they personified another mortal sin - laziness. This gargoyle in the form of a monkey is located in Paris, which is not surprising, because the very word "gargoyle" originated in French. Once the word "Gargouille" meant the word "throat", and the word itself came from Latin.

11. Other languages ​​were more accurate. In Italian, the gargoyle is called "grónda sporgente", choet literally means "protruding chute". V German they are called "Wasserspeier" - "water spitters", and the Dutch went even further and nicknamed the gargoyles "waterspuwer" - "spewing water".

12. And by the way, from this Dutch word "waterspuwer" in English language came the verb "to spew" (to spew). However, if you do not take into account the "animal" personifications of gargoyles, then all of them were often considered chimeras.

13. This chimera is located at York Cathedral in England, which is generally famous for these same chimeras.

And although we are no longer afraid of these chimeras, the medieval inhabitants were rather superstitious and uneducated, and they considered them terrible creatures. Chimera is born when two parts different bodies merge to create a completely new creature, such as a griffin (or a mermaid, whose figure is still popular in the creation of fountains).

14. At the Milan Cathedral there is a rather interesting set of chimeras - there Renaissance thinkers stand next to these strange creatures from the imagination of madmen. These chimeras on the roofs of cathedrals and other buildings personified those who underestimate the power of the devil. Although the devil cannot create life, he can mix different forms life in order to get a new one - that is, a chimera.

15. Some of the most famous gargoyles in the world can be found on the cathedral Notre Dame of Paris.

16. Even the Disney studio could not ignore these interesting creatures.

17. The legend of the gargoyle. The French had a legend about one of their saints - Romaine. In the 17th century, he was made a bishop and had to fight a creature called the Gargull. It was a dragon-like creature with wings, a long neck, and the ability to spew fire from its mouth.

18. Having conquered the dragon, Romaine could not destroy his head, because. she was tempered by fire from her own mouth. Then Romaine placed her on the walls of the cathedral so that she would scare away evil forces. Well, this gargoyle in the photo is located in the van Saint-Jan Cathedral Basilica.

19. On the walls of St. Vitus Cathedral in Prague there are some rather scary gargoyles, but these are no longer animals or even chimeras. These are people. The moment of damnation is frozen in time for hundreds of medieval souls across Europe.

20. With their mouths open, they scream through the centuries, constantly reminding you that you need to be able to resist the devil, otherwise it can happen to you! Probably the most terrible gargoyles are still those that remind us of ourselves.

21. This terrible example of the human form in the image of gargoyles is also on the St. Vitus Cathedral in Prague. Moreover, the pipe, through which water flows, sticks out of the mouth so ominously that it seems that it is just an inhumanly long tongue.

22. This gargoyle is on the cathedral in Nottingham. She reminds all generations not to try to bite your nails. Anyone who has read Chaucer is sure to startle when confronted with the vulgar emotionality of the Middle Ages.

Gargoyles are mentioned in works of the fantasy genre. Usually presented as living beings with a stone body.

So, in Asprin's series of books about the MIF corporation, one of the secondary characters is a gargoyle (male gargoyle) named Gus. In Pratchett's Discworld books, gargoyles are one of the intelligent races that inhabit it.

V computer games, whose action takes place in fantasy worlds, gargoyles are also occasionally present. For example, in the games of the Disciples series, gargoyles are former soldiers who unquestioningly obeyed their cruel commanders, in the hellfire their bodies became as hard as their hearts.

In the games of the Heroes of Might and Magic series, gargoyles are creatures that perform two functions at once: aesthetic and practical (protective). Gargoyles are also featured in Warcraft 3: Reign of Chaos and Warcraft 3: The Frozen Throne, where they have the ability to turn to stone to heal from wounds faster.

In addition, there is the eponymous animated series Gargoyles.

Gargoyle is the main boss in Doom 3: Resurrection of Evil. Also in the Heretic/HeXen series of games, they are like very small dragons that have the ability to shoot fireballs.

Gargoyles are also representatives of the world of Harry Potter. They inhabit Hogwarts Castle, and one of them even guards the headmaster's office.

Gargoyles acted as kind, playful characters in the cartoon The Hunchback of Notre Dame. Stone sculptures Victor, Hugo and Laverne are the only friends of the hunchback Quasimodo. According to the idea of ​​the cartoon, they decorate Notre Dame Cathedral. In fact, the cathedral is decorated with statues of chimeras.

end of article from http://bigpicture.ru/?p=318531 Let me remind you a couple more interesting revelations: here we exposed, then we found out, well, and found out whether The original article is on the website InfoGlaz.rf Link to the article from which this copy is made -

Currently, there is a huge collection of ancient drawings, in which we guess the prototypes of aircraft and creatures depicted in spacesuits with antennas on their heads. Many rock paintings could not be identified at all, but it is highly likely that we are talking about the first cases from the theory of paleocontacts.

Similar observations are recorded in some written sources of antiquity. K. E. Tsiolkovsky spoke about the need to study them: “In view of the proven possibility of interplanetary communications, one should treat “incomprehensible” evidence more carefully.” The advice of the scientist was followed by the American ufologist researcher R. Drake, who managed to find references to UFOs in the narratives of fifty ancient Roman authors.

A huge contribution to the theory of paleocontacts and interplanetary connections was made by the Samara researcher, Doctor of Geological and Mineralogical Sciences V. Avinsky. He was one of the first to point out a serious circumstance of research: people involved in never singled out historically “illegal”, unidentifiable images from the general mass of finds.

However, a detailed study of the drawings and their classification would reveal many interesting details.

Ancient images of aircraft (or technicalisms) are characterized by unusualness and increased complexity. Whereas the semantic load of such drawings does not correspond to the level of development and cognitive potential of the era of their appearance. It is noteworthy that the images carrying the manufacturability of devices found on different continents of the planet practically duplicate each other.

The similarity of the drawings is stunning, since the finds belong to civilizations between which there is an abyss of thousands of kilometers. Availability common features between artifacts cannot be explained
migrations of peoples, or trade links between different tribes and nationalities.

Flying carts and space suit for the ritual.

An extensive collection of spacesuit-like drawings and figurines collected in all corners of the globe is very attractive for Ufology. For example, in Japan, they managed to find a decorative bronze figurine about 60 centimeters high, extremely reminiscent of an astronaut in a space suit.

On the character's head is a helmet with goggles, and the suit is "armed" with numerous straps for attaching various equipment. With the same success, the statuette found may turn out to be the armor of a wealthy Japanese or a ceremonial outfit, skeptics explain.

On almost all continents, among the cultural heritage of various peoples, images of a certain anthropomorphic figure with an antenna above its head were found. Thus, the involvement of diverse information in research gives more reason to assert that the messengers extraterrestrial civilizations did visit Earth in prehistoric times.

The Armenian scientist A. Tonakanyan, who deals with the problem of paleocontacts, became interested in the unusual rock art of the Armenian Highlands, where ancient drawings date back to the 5th millennium BC. The finds were made in several areas - near the Geghama Range, on Mount Sevasar of the Vardenis Range, not far from the Mount of Pilgrimage, which is part of the Zangezur Range.

Separate sections of the unusual art gallery of the ancient world lie at an altitude of 2200 - 3500 meters above sea level, stretching for several tens of kilometers. Guided by the principles of excessively anomalous and difficult interpretation of the depicted objects, the scientist chose only a few dozen, presumably talking about the contacts of aliens with ancient people.

Among them are all the same spacesuit-like figures depicted in separate drawings with obviously some vehicles reminiscent of modern space rockets.

There were also found images of anthropomorphic creatures (aliens) with their arms spread apart or walking with a dancing gait. Ufologist V. Avinsky noted that those who arrived from another world could indeed move in such an unusual way, since they experienced gravity that was unusual for them.

Of great interest is the drawing, in which two headless creatures balance. In addition, there are eyewitness accounts who met with headless creatures that instead of this part of the body have some kind of incomprehensible bump in the form of a growth.

Of course, most of the images are quite difficult to identify, nevertheless, they can still be distinguished by technicalisms reminiscent of modern aircraft. This is especially evident when compared with traditional images of hunting scenes and religious and cult symbols. All figurines, as well as ancient rock art, confirm the correctness of the theory of paleocontacts.

Indian archaeologists have officially asked NASA and the Indian Space Exploration Organization for help in conducting a detailed study of strange drawings.

In the ancient caves of India, near the indigenous villages of Chandeli and Gotitola, 130 kilometers from the city of Raipur, archaeologists have discovered prehistoric rock paintings depicting aliens and UFOs. Using the latest technology, scientists have determined that the age of these drawings is about 10,000 years.

Indian archaeologists have officially approached NASA and the Indian Space Exploration Organization for help in conducting a detailed study of the strange drawings.

The drawings depict creatures that are frighteningly similar to those aliens that are familiar to all of us from Hollywood films. Also, pictures drawn with natural pigment depict flying UFOs.

The drawings are only slightly faded from time to time and strange figures are clearly visible on them, some even in spacesuits, holding something similar to weapons in their hands, the features of their faces are barely distinguishable.

The inhabitants of many indigenous villages in India have strange beliefs and support hereditary religious cults associated with these drawings. Some tribes worship the people depicted on them. They call them "little people" and tell old legends about how these people flew in flying objects and abducted the inhabitants, whom no one else has ever heard of.

Some ufologists claim that these cave pictures unequivocally prove that people who lived in India 10,000 years ago really met with extraterrestrial creatures that flew in on saucers. Others say that these images could only be the fruit of the imagination of ancient artists.

And yet the traditions and beliefs of modern Indian villagers add mysticism to this story. In addition, the proof of the meetings of people with aliens in prehistoric times and later are many more drawings in India depicting alien creatures with weapons. also in ancient history In India, certain vimanas, the aircraft of Indian gods, are mentioned. They are described very vividly in ancient texts in Sanskrit.

The descriptions of vimanas and UFOs are very similar, scientists say that they were huge aircraft, sometimes reaching a house several floors in size.

UFO hunters claim that all of these widespread traditions definitely confirm alien visits to Earth. Ufologists even talk about great influence technologically advanced extraterrestrial civilizations that visited the Earth in prehistoric times, on the traditions and beliefs of people, as well as on the development of culture, technology and our civilization as a whole. Some theorists believe that all of the ancient gods were actually aliens who amazed ancient primitive people with their advanced technology.

However, despite the quite unambiguous references to UFOs in the ancient traditions of India, most modern scientists still consider such theories to be pseudo-scientific and say that the conclusions about the visit of aliens to the Earth in prehistoric times are completely unfounded.

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