For which Sokurov received a nickname. "Politics is a dirty business": what Sokurov said about power, censorship and the church

  • Date: 19.11.2020

He drew attention to the tough actions of law enforcement agencies at mass rallies, especially against girls and women. “I want to appeal to our deputies. To male deputies, because women will not accept a new law. Let us pass a law that prohibits the arrest and, in general, touching women and girls participating in protest actions, ”suggested the director, whose speech was repeatedly interrupted by applause and shouts of“ Bravo! ”.

Photo: Vyacheslav Prokofiev / TASS

“We have said many times, many years:“ Where are you? Where are you students? Where are you, students? Do you notice that you are inside the country, do you notice what is happening in this country? " There was silence, they were not. Here they appeared, ”the director stated. “You and I must do everything so that the humanitarian development of our society, our young people takes place, because everything that is associated with the substitution of enlightenment, education, with some kind of religious dogma, everything that is associated with the introduction of religious institutions leads to the collapse of the country, ”Sokurov said.

Film director Alexei Krasovsky, who received the Discovery of the Year award for the film Collector, called on filmmakers to speak out in defense of those who were detained on March 26. He called on the film community to somehow influence the fate of the detained protesters. “I want to ask you to use your power to change something in their fate,” the director is quoted by TASS. His performance was supported by the artistic director of the Lenkom theater Mark Zakharov.

Vitaly Mansky, receiving "Nika" for his documentary film "In the Rays of the Sun", which won the nomination "Best Non-Fiction Film", said that we "are not yet North Korea", but "we are *** about the country, so we are worse than North Korea ", writes Kommersant.

The topic of political prisoners was also sounded in the speech of Elena Koreneva, who received a prize in the nomination "Best female supporting role" for the film "Her name was Mumu".

The 30th Anniversary Nika Cinematic Awards took place on March 28th. The main nomination - "Best Film" - directed by Andrei Konchalovsky. He also received the award for the best directorial work.

"Nika" for the best acting work went to Timofey Tribuntsev, who played in the film "Monk and the Devil" by Nikolai Dostal, and Yulia Vysotskaya for her work in the film "Paradise".

The best screenwriter was Yuri Arabov ("The Monk and the Devil"). Eduard Artemiev (film "Hero") was awarded for the best music.

The director and screenwriter Alexei Krasovsky, who shot the picture The Collector with Konstantin Khabensky, is named “Discovery of the Year”.

https: //www.site/2017-02-09/rezhisser_aleksandr_sokurov_idet_k_tomu_chto_v_rossii_razrazitsya_religioznaya_voyna

"... the flywheel of the destruction of the country will start"

Director Alexander Sokurov: is heading for a religious war to break out in Russia

World renowned film director Alexander Sokurov never hides his civil and political views, even if they ask for it. Because of this, he lost a lot of useful contacts and made enemies .. We talked about Putin and Ramzan Kadyrov, Orthodoxy and Islam, art and censorship.

"Putin has his own cinematic biographer - Nikita"

- At the festival "Days of Sokurov" in the Yeltsin Center, your film about Boris Yeltsin "An example of intonation" was shown. Can you express Yeltsin's intonation in a few words? You talked, you were connected by friendly relations.

- If I could express it in a few words, I probably would not shoot a film. I have many intonations associated with Boris Nikolaevich. And what I have shown is clearly not enough. I just touched on this topic a little. Besides, I wasn't the only one who filmed about him. In Moscow, he actively made contact with other directors and journalists, who seemed to him and Naina Iosifovna more simple and accessible. I was too abstruse for him. However, with me he always had an intonation of understanding, patience, nobility, respect and even some kind of gentleness. But this is my personal, private feeling, because he was not quite like that, since he was engaged in hard work.

- You have repeatedly and quite frankly, as you admit, talked face to face with the current president. After these meetings, did you understand what kind of "intonation" Putin has? Would you be interested in making a film about him?

Vladimir Putin has his own cinematic biographer - Nikita. He has already made films about him. In general, thank God, this place is taken. Although I know many directors who would like to join this row, the president himself does not need it.

- You said that in personal conversations he appears different than in public space ...

- I assure you that even Zhirinovsky in public space appears in one hypostasis, but in personal communication he is completely different. And Boris Nikolaevich was different. I was sometimes surprised to see him on TV. I didn’t recognize him, he was so different. In general, any large-scale personality in chamber communication looks different: arrogance leaves, the desire to win a special place in the historical or cultural space. In one-on-one communication, these are always other people. Much to our regret.

- Don't you think that modern world leaders are getting shallow right before our eyes? Suffice it to compare the leaders of the leading European states and the United States with those who stood at the helm half a century ago, the comparison will clearly not benefit the current ones. What do you think is the reason for the crisis of political elites?

How director Alexander Sokurov talked to people about Boris Yeltsin

- Indeed, degradation is evident. And this is due to the fact that they are not witnesses of major historical processes. Our life, of course, remains difficult, but today's leaders are unable to see this or anticipate. I said ten years ago that war with Ukraine is inevitable. Many then twirled their fingers at their temples, but for me it was quite obvious. And I wonder why this was not obvious to Russian and Ukrainian leaders. This suggests that the current political elite is made up of myopic people. That the level of culture, intelligence, and indeed the scale of the personality is leveled today. Look at the current German chancellor. What is it? It’s just a sad sight. And the Italian prime minister or the last presidents of France ...

- Since you foresaw the Ukrainian events, let me ask you: do you think a peaceful way out is still possible? Otherwise, if you listen to our political observers, the point of no return has already been passed ...

- I hope someday these political observers will appear before the Hague Tribunal as provocateurs who have caused enormous damage to the humanitarian space of Russia and the entire Russian people. These radio and television heralds are engaged in throwing matches during a fire. In the place of power, I would pay special attention to these people who create preconditions for international conflicts. They must be punished. They are just criminals who work on both state and private channels. And there, and there there is no responsibility for such behavior. If the political vector changes, all these commentators will instantly reorganize. We saw this well in the example of the conflict with Turkey. They shouted the loudest about the murderers of Russian pilots, but as soon as they were told that Turkey was no longer enemy number 1, they immediately changed their rhetoric to the opposite. It's so vulgar and vulgar. They are worse than women who sell themselves.

- Women with reduced social responsibility, as they say now.

Yes, I mean prostitutes. But when a woman gives herself to a man, there is at least some naturalness in it, and there is nothing natural and organic in the behavior of these commentators.

- Russia had an open military conflict with Georgia. However, Russian tourists visit Georgia with pleasure and do not face aggression against them. How long does it take to plan a vacation in Kiev?

Indeed, I have recently been to Georgia and have not met anything but cordiality and hospitality there. And in the case of Ukraine, this will not happen soon. Mutual contradictions and resentments are too strong. The fact is that for some reason the Russians are sure that they are one people with the Ukrainians, and this is the deepest delusion. Ukrainians have long dreamed of breaking away from Russian influence and living apart from us, ceasing to be a shadow of Russia. Soviet practice has brought our peoples closer together, but still we are just neighbors. We do not live in the same apartment.

Imagine that you have neighbors and you suddenly start declaring them to be your brother and sister. “Why on earth? They say. "We're just neighbors!" - "No! We live on the same staircase, we are already relatives! " But the neighborhood does not imply that we should change husbands, wives or children.

The Ukrainian people have their own historical path - extremely difficult, sometimes even humiliating. Their history is always the subject of outside interference, when someone is constantly dividing your country, forcibly introducing it to their culture. Life is hard for the Ukrainian people, hard. And then there is clearly not enough intelligence in Ukrainian politics. In a difficult historical moment, the people did not nominate large-scale politicians who could delicately get out of difficult confrontational circumstances. Carefully separate the “Siamese twins” that have become Russia and Ukraine, which have grown together by economies and national characteristics. But there were no politicians who, even taking into account the accumulated irritation towards the Russians and the pressure of the nationalists, would steadily and delicately carry out all the processes. This means that these institutions of power have not matured. Indeed, in order to build relationships with such a large and difficult neighbor as Russia, a wise political elite is needed. Unfortunately, it does not exist in Ukraine yet. Because, unlike Georgia, Ukrainians have no experience of statehood and government.

And besides, we are still very different from the Georgians - we have a different alphabet, a completely different culture, traditions, language, temperament, but everything is different with us. And with Ukraine, there is certainly a dangerous semblance of community. But this is only an appearance, and I, often visiting Ukraine, saw the powerful energy of rejection and desire for independence from Russia. The closer the peoples are, the more difficult their relationship is. You yourself know: the most painful conflicts occur precisely between relatives.

- That is why you proposed to fix the impossibility of military operations with neighboring countries at the constitutional level?

- We must have a categorical condition: not to fight with our neighbors. This also applies to the Baltics, Ukraine, and Kazakhstan. I would add to the Constitution the principle of compulsory peaceful coexistence with all countries with which we have common borders. Even if we were attacked, we must find the strength not to use the army, not to invade foreign territory. You can quarrel with your neighbors, but you cannot fight.

- But all over the world countries, if they fought with someone, it was more often with their neighbors. Germany has repeatedly fought with France, and in the history of relations between France and England, there was even a hundred-year war. And nothing, somehow they find a common language.

- Let's not forget that Germany was never part of France, and France was never part of England, although they fought all the time on a territorial basis. Of course, territorial claims always exist. Italy, too, dreamed of getting a part of the French lands from Hitler. But no one has ever been part of each other, as in the Soviet Union. In Europe, there is only one exception in this regard - the Austro-Hungarian Empire.

"We are dealing with a bomb that could explode at any moment."

- Alexander Nikolaevich, you have always been aloof from political life. They said that not a single party has ever approached you with a proposal to be included in its electoral list. And suddenly, in the parliamentary elections in September last year, you headed the St. Petersburg list of the Yabloko party, while remaining non-partisan. Why did this happen right now?

- I have run out of patience. Of all the parties or groups that are professionally involved in politics, only Yabloko is engaged in urban protection activities in St. Petersburg. It is thanks to Yabloko that I myself have understood a lot in the city protection work (The Sokurov Group is engaged in the defense of historical St. Petersburg. - Ed.). They've always used professional tools. For example, they organized big lawsuits against Gazprom, which the St. Petersburg city protection movement did not dare to do. They helped us, and in the end they won almost all the courts. And then, there are people to whom I respect. Although, of course, I had no illusions. I understood that this was an impassable option. But my position was: stop sitting in the kitchen - you need to show your position and support those who think the same way. Of course, I made life difficult for myself, but I do not regret it. You have to pay for everything. Including for such political behavior.

“Chechnya is a region of Russia that does not obey Russia. They have their own army, and only a signal is needed to move these armed people in one direction. And I'm sure a collision is inevitable. "

- You are the head of a public group of city rights activists, conducting a dialogue with the authorities on protection from the destruction of old St. Petersburg. Last year, you wrote a letter to the Governor of St. Petersburg, Poltavchenko, asking him not to name the bridge over the Duderhof Canal after Akhmat Kadyrov, but they did not listen to you.

- Unfortunately, the point has been raised on this issue. And I regard the decision made only as terrorist activity on the territory of Russia. This threat comes from the Chechen sector. We are dealing with a bomb that can explode at any moment. In my opinion, this is a real military threat. Chechnya is a region of Russia that is not subject to Russia. It has its own army, and only a signal is needed to move these armed people in some direction. It is obvious to me that this is outside the Constitution of my country. And I'm sure a collision is inevitable for a variety of reasons.

Of course, I hope that the president understands who Ramzan Kadyrov is, and the boundaries of his capabilities have probably been defined. But at the same time, I have no doubt that if an instruction to the armed men follows from him, then in a number of Russian cities there will be large casualties.

- At one time, you wrote a letter to Alexander Khloponin, who was the presidential representative in the North Caucasian district, where you proposed to convene a serious conference of Orthodox and Muslim clergy under the auspices of the state, raising political issues ...

And, of course, did not receive any answer. Nobody paid any attention to this. In the meantime, we see what is happening. Young people who have escaped from the Caucasian cities behave outside all norms, not only of the life of Russians, but in general outside of all moral norms. And law enforcement officers in Moscow are paralyzed by fear of Grozny, because it is there that death sentences are passed. And if a person is sentenced to death in Grozny, no one will be able to protect him.

“For some reason, as soon as our beautiful women break into the political elite, they behave there more aggressively than men. The most cruel parliamentarians in Europe are our women MPs ”

- Few dare to speak about it aloud. And it's clear why. Did you feel this danger yourself?

- Sure. But let me not be specific. I understand what I am doing and saying and that I will have to answer for this. And the federal government needs to answer the question: is the Constitution of the Russian Federation a law in force on the territory of the entire Russian state? If so, appropriate action should be taken. However, we see that this document no longer works. Maybe a new Constitution is being prepared? There is even an assumption who is ready to head the Constitutional Commission - this is one of the most odious and aggressive women in Russian politics.

- Irina Yarovaya?

- Yes. Women are generally unlucky in Russian politics. I think maybe they can not be allowed there? For some reason, as soon as our beautiful women break into the political elite, they behave there more aggressively than men. The most cruel parliamentarians in Europe are our women MPs.

- How do you explain this?

- One word cannot be explained here. The fact is that the role of men in Russia has long been leveled out. This can be seen in the role of fathers in families, and because of how our boys develop in schools. I think it's time to return to separate education - separately for boys and girls.

- And the entire XX century was spent in the struggle for the emancipation of women.

- But if women want equal rights, then let them be taken with equal responsibility. And after all, we still have a child with his mother in court proceedings, fathers do not have a single chance in this struggle. Then the husband must also leave his home, and let him live as he knows. If we are equal on paper, then let it be so in everyday practice.

However, all these are details, and most importantly - the psychophysical surrender of the positions of the entire male population. And it starts from school. And if you ask which part of the male population in Russia is the weakest, without a doubt, I will answer - our military. This is the most pampered category of men. Even the officers of the special services with great difficulty psychologically adapt to the new living conditions - the military is so used to comfort.

- Quite an unexpected statement from the son of a career soldier, who spent his entire childhood in military camps. Did they start to notice something like that already then?

- My father was still a front-line soldier, but that generation had a different problem - everyone drank. It was the scourge of military camps. And they drank at home, and drunk people often appeared at the service. Of course, there were garrisons that did not cross certain boundaries, but to a large extent this concerned everyone ... Drunkenness is generally a huge problem for our country. I was struck by the scope of this phenomenon while still a student in Gorky, and when I was already studying in Moscow, whole faculties there were in a semi-alcoholic state. At VGIK they drank incredibly, the forms sometimes took on some wild proportions.

It is with alcoholism that I associate the degradation of the Russian male population. Indeed, there is no such problem in Muslim regions. Religion there helps to preserve the national order. And since the Russians have long been a non-religious people, and our national way of life, closely associated with the rural way of life, was destroyed by the Bolsheviks, now we seem to have no support that would stop this fall into the abyss.

"It is a gigantic mistake to give some of the power to the Orthodox Church"

Alexander Nikolaevich, at Echo of Moscow you once said: “Our huge country is torn apart. There is no general energy. The idea of \u200b\u200bfederalism has largely outlived its usefulness. The federal principle must be changed. " Which one?

- And what do you think about this?

- In the Urals, there was already an attempt to change the federal principle, creating the Ural Republic in the first half of the 1990s ...

- I remember Yeltsin's reaction very well, he only spoke to Rossel on the phone several times in my presence on this matter. AND?..

- Nevertheless, this idea had enough supporters.

- Both in Ufa and Irkutsk, I also met supporters of such federalism. This idea is still alive today. For example, Kazan is about to make a decision to change the Cyrillic alphabet to the Latin alphabet, which will finally tear us apart. This is happening all over the country. I see it.

“The state absolutely criminally disposes of relations with religious cults. The Orthodox Church is people, to put it mildly, strange and politically imprudent "

- It is important that the government is seen. And they thought, looked for ways to hold the country together, until it was too late. The citizens of the Russian Empire, and then the Soviet Union, felt themselves to be a single whole, although there was no Internet or television ...

How do you answer this question yourself?

- Well, I can only be responsible for what I remember personally. I think people were held together by the idea of \u200b\u200buniversal equality, some social guarantees, the idea of \u200b\u200binternationalism, a common cultural space, affordable free education ...

- I would even say an equally accessible high-quality education that a person could receive in the capital, and in a small town, and in a remote aul, and in a Ryazan village. Basically, it was close to being realized. And today's education is class-based. So we will never have any Shukshin: in modern conditions he could not get an education. All my attempts to resist payment for higher education led to the fact that I ruined my relations with a large number of officials and rectors ... In general, you yourself answered your question, having formulated everything accurately enough.

- But if these "braces" do not work today, will Russia withstand the current "braces"?

- Where I agree with the communists is that the church should be separated from the state. The present state, however, is absolutely criminally disposing of relations with religious cults. We are making a gigantic mistake by giving up some of the power to the Orthodox Church. They are people, to put it mildly, strange and politically imprudent.

As soon as a decision is made to create an Orthodox party, which will become one of the official state parties, the flywheel of the country's destruction will start. Everything goes to that, and the Russian Orthodox Church collects property so that this party was rich. But after all, large Muslim parties will appear next, and then the question of the existence of the Russian Federation will be removed from the agenda.

This is not difficult to foresee: if in a certain territory an Orthodox religious force receives a part of political power as a gift from the state, then, accordingly, in other places the Muslim population will quite rightly demand a part of political power for their religious organizations. Believe me, Muslims in this matter will not yield to anything. And when the interests of Orthodoxy and Islam enter into a political conflict between themselves, an inter-religious war will begin - the worst thing that can ever happen. In a civil war, you can still agree, but in a religious war they fight to death. Nobody will give in. And everyone will be right in their own way.

- In one interview you said: “We are strangers in the European space. Aliens, because they are big - in terms of the size of the country, the scale and unpredictability of ideas. " And in another you exclaim: “Aren't the Russians Europeans? Hasn't Europe raised us? "

- There is no contradiction here. In one case I was talking about culture, in the other - about ways of behavior. But, of course, Russia is more civilizationally connected with Europe.

- How then to perceive the current turn to the East?

“It's just stupidity, that's all. How many stupid things were done by the Russian state, which cannot really be created yet? We are changing the social system, we are at war with our neighbors, then we are kindled with some crazy ideas ... And the state is, first of all, a tradition, experience, time-tested and confirmed by national consent. We cannot find agreement even in small things.

Here in Yekaterinburg, on the city pond, they are going to build a church, although part of the society is against. But it would be nice to see how such issues are resolved in Germany. There, if even a small part of the population is against, the decision is postponed. Thus, they protect themselves from hasty steps. The Russian state has always lacked rationality and balance, and it is still lacking today.

"Our Muslims are silent and are waiting for where it will break out and which side to take."

- Alexander Nikolaevich, you say that it is necessary to establish strict boundaries in the relations between power and religion, but, on the other hand, you liked Iran, although this state can hardly be called secular ...

- Iranians are Shiites, and this is a very special branch of Islam. In my opinion, it is much softer. And everything that we are told about the Iranian regime is not entirely true. I talked there with different people and will go there again soon. I think it is necessary to study the Iranian experience. They found themselves in complete isolation, but did not degrade, but, on the contrary, proved that everything can be developed within the framework of one self-sufficient nation - the economy, the military and chemical industries, agriculture, hydrocarbon production and scientific research ... They even shoot films several times more than Russia. And very good ones.

In general, this trip gave me a lot of thoughts about the development and strength of the Muslim world. Serious attention must be paid to it. He is energetic and no longer ready to stay within the confines of his space. We must understand that it will cross borders and expand.

- This is already happening. And you sound the alarm, saying that in no case should the mixing of cultures be allowed. But this thesis contradicts the current official European values, aimed at multiculturalism, open borders, and political correctness.

- Europe today is ruined by the fear of admitting that the national is higher than the international. I call it infection. An infection just got into the body, and he fell ill. In order for the Christian and Muslim world to exist in harmony and harmony, it is necessary to draw a clear border, through which neither side can cross. We must not allow the mixing of cultures. This cannot happen without conflict, because culture is a code, a worldview. And the second rule is not to violate the norms of the root people. There should be modesty in the guest, but as a rule, there is none. This is not to say that Europe will disappear if mosques appear everywhere. But culture will undoubtedly die.

Europeans forget that civilization must be protected, this combination of national and Christian norms must be preserved. The European world has accumulated vast experience in socialization, various political compromises and political practices. And the ability of people to work well. After all, the main thing that attracts Arabs and Africans in Europe is that you can come to the ready-made. For some reason, they do not want to fight for the creation of their high-quality states. They will not do this, but want to go to where something has already been done. But since they do not have the skills of assimilation, there is no habit of respecting other cultural and religious principles, then, naturally, the current situation in Europe will lead to major conflicts and wars on the territory of European countries.

In general, we need a distance, a noble distance between peoples. Or, one can draw a line under European culture and prepare for a drastic change in the entire European way of life. Either we must resist, or we must agree that we will lose.

- And how to resist if you yourself say that you are increasingly encountering censorship in the West?

- Unfortunately it's true. Today in the West people are much more dependent on the authorities than they were 5-7 years ago. More than once, European journalists have admitted to me that editors do not always allow publishing what they have written. My interviews there are now subject to censorship, and television channels have often refused those on which I would like to discuss. Degradation of democratic traditions is taking place in Europe.

“It is time for Europe to understand that there is a much more dangerous enemy than Russia - this is the Muslim revolution. As Bolshevism used to be "

- In one interview you said: “Napoleon was considered a murderer, not shaking hands, and now he is almost a French national hero. Even the brand - cognac, cologne ... And with Hitler it will be the same - rationality will prevail over morality. " Will humanity really forget everything that Hitler did?

- Within 15-20 years, everything will start to change dramatically in estimates. But if you ask what my belief is based on, I will not answer. I just feel it intuitively. This is my perception of the pace with which there are changes in modern evaluative categories. Well, who among the representatives of my generation could have imagined 30 years ago that Nazi youth organizations would exist in St. Petersburg? It seemed unreal to us under any circumstances. Especially in Leningrad, where witnesses of the Blockade, participants in the Great Patriotic War, are still alive. Nevertheless, they are. And not the heirs of Russian nationalism, but the followers of precisely German fascism, who accept its entire system and ideology.

- But our society still considers them to be marginal ...

- So far this is so, but, unfortunately, the boundaries between concepts are very quickly erased, and the ground has been prepared for this.

- In the same Europe, the topic of the Russian threat is popular today. Does it hurt you as a Russian citizen? Or do you think that the fears of the West are justified?

- I recently staged a play in Italy and, of course, talked a lot with the local intelligentsia. Among them there is a certain fear of the invasion of the Russian army into the territory of Europe. Even more often I face these concerns in the Baltics. I say to the Balts all the time: do not be afraid, this will not happen. It's just that the Baltics and Poland need to form an association of neutral states - this is an ideal way out for them. After all, when you do not have NATO bases on your territory, then Russia will not need to send missiles in your direction. Be smarter: don't plant raspberries in the bear's den.

Historian Boris Sokolov: there are no reasons for the revolution, but they can appear unexpectedly and quickly

In general, it is time for Europe to understand that there is a much more dangerous enemy than Russia - this is the Muslim revolution. After all, why is it so difficult to cope with ISIS - because it is not just a terrorist organization, but a revolutionary ideological movement of the Muslim world. It can arise anywhere, like Bolshevism. After all, no matter how pressured Europe, it could not suppress the Bolshevik rebellion in Russia. And after all, there was also an ideology - to spread Bolshevism throughout the world: Lenin and his followers dreamed of organizing revolutions in Europe. ISIS is guided by similar principles: Christianity has outlived its usefulness, has decayed, let's send Christian civilization to the dustbin of history and replace it with a new order - Muslim-political. And since the idea cannot be defeated with missiles, to fight ISIS without entering into negotiations with them as a system means dooming oneself to defeat.

- This is how the principle sounds: "do not enter into negotiations with terrorists."

- So it is outdated. Now you need to learn to negotiate with them. And this requires wisdom. You see why our Muslims are watching all this so reservedly? They are silent and wait, where it will break out and which side to take.

"You shouldn't think that cinema is harmless, this is a delusion"

- Back in 2002 you told the Izvestia newspaper: “American film aggression is killing a feeling and thinking viewer. Russia is defeated in this sense. " Has anything changed in 15 years? How do you assess the completed Year of Russian Cinema?

- Nothing changed. If the Year of Culture ended with the closure of libraries, then in the Year of Cinema we will lose all documentary film studios in Siberia, the Urals, the Far East, the northern regions and the North Caucasus. The state, of course, allocated a little more money for the debuts, but this is not serious. Our cinema needs 80-100 debuts a year to develop fully, and now we have allocated funds for 16.

Nothing has been done for the mechanism of the existence of cinema. I am not talking about the need to ban the distribution of Western films or sell more expensive tickets for foreign films, as is done in France. I'm talking about legal and economic measures that can contribute to the development of national cinema as an industrial direction, when there is a technical base, reasonable budgets, cinemas, access to television ... This is exactly the kind of systematic work that the Ministry of Culture should do, but it does not do it at all.

Unfortunately, this is a feature of the controls in our time. When everything seems to be in place, but in fact no one is doing anything. We regularly see how the president asks them: why hasn't it been done, and why hasn't it been completed? They answer something to him, sometimes, he even catches someone in a lie, but nothing changes. If this is the case everywhere, then why should it be different in our cinema?

- Now there is an active fight against Internet piracy, but many of your films can be watched only thanks to torrents. And in general, for people living outside of large cities, torrents, in fact, are a window to the big world.

- So it seems to me unnatural when an artist is against his work being seen by as many people as possible. I, of course, do not make a production film, which rigidly requires a return on invested funds, and I myself have never received money for the rental of my films, but I still don’t understand why we thus deprive a whole layer of our compatriots of the opportunity to choose. I don't think there should be any restrictions in the artistic space. The audience today is very poor, so it seems to me wrong to ban the reprint of books, to restrict access to musical works and films.

We are creating a state to fulfill its functions. And one of its main functions is to support society in a civilized state with the help of culture. The state must have the resources to compensate for possible losses to copyright holders when opening free access to films or books. In general, I think that an international agreement is needed within the framework of UNESCO or the United Nations on the universal availability of works of world culture. But again they will say that I, like a city madman, propose something unrealizable.

- Is this how you perceived your call to the organizers of class A festivals to give up films with scenes of violence? But then a whole layer of genres will disappear. How to film, say, "War and Peace"?

- I do not urge you not to shoot about the war at all. I proposed to abandon violence on the screen as a professional, dramatic tool, to abandon plots and images associated with the glorification or aestheticization of violence. For many years I have been talking about this and calling for it, but they do not hear me - neither here, nor in Europe. Unfortunately, I am sure that this may be one of the few cases where I am absolutely right. The heroization and aestheticization of violence inflict much more damage than, for example, any environmental problem.

The propaganda of evil is when you are shown on the screen a method of murder, torture of a person. Such a movie is irreparable harm to the human psyche, because for a modern young man, death is not sacred. It seems to him that it costs nothing to kill. Cinema convinces him that a person can be killed in different ways: rip out the guts, rip off the head, gouge out the eyes ... Do not think that cinema is harmless. It's a delusion.

- But this is why the age categories "12 plus", "18 plus" were introduced.

- However, they do not solve the problem - today any child can see anything thanks to the Internet. Although this can be dealt with, I assure you, there would be a desire. The electronic world is such a manageable and vulnerable segment that 3-4 buttons are enough to remove all this from public access, but apparently no one needs it.

- And what about your appeal to your peers-directors to stop cinematographic activity for at least a year and give all the funds allocated by the state to young directors? Did anyone react?

- Of course not. I’ve got used to the fact that any of my initiatives do not cause any reaction in my homeland. Journalists still ask about this, and my colleagues, obviously, are completely uninterested in my point of view on topical issues.

- In the West, many famous directors have gone to television. A recent example: Paolo Sorrentino, who directed the best film of 2015 - Youth, according to the European Film Academy, recently released the TV series Young Pope about the Pope. Would you be interested in filming a series?

- Well, I did great documentaries for television. For example, "Spiritual Voices" or "Obligation", which lasts five hours. These are large works dramatically arranged for the teleformat. But I don't want to work under the conditions in which Russian serial cinema exists today. I am not interested in these topics, they have nothing to do with me.

- And abroad?

- I was offered, but a number of circumstances did not allow me to do this.

- Alexander Nikolaevich, you are one of the most titled Russian directors, while among your colleagues you are considered a “black sheep”, and the domestic audience has not seen many of your works. Do you consider your professional career a success?

- In general, it seems to me that I have chosen the wrong profession.

- This is a confession!

- It's just that at the moment of the choice I was too young to realize the full responsibility of this step. And for several years now, I clearly understand that the choice was wrong. There are other areas in which I would be more in demand, could do more. Because in cinema I have not fully realized. What can I say now ...

Biography

Alexander Sokurov was born in 1951 in the Irkutsk region. He graduated from the history faculty of the Gorky State University, then the directing faculty of VGIK, where he became friends with the main co-author - screenwriter Yuri Arabov. From his student years he was subjected to censorship persecution, was supported by Andrei Tarkovsky, who saw in the "Lonely Voice of Man" "the hand of a genius." Several times he refused to emigrate.

Received all-Union and world recognition during Perestroika, in the late 1980s. Today, Alexander Sokurov is the author of more than fifty feature and documentary films, is the owner of dozens of film awards, including the Moscow, Berlin, Cannes, Venice festivals, the Andrei Tarkovsky Prize, the Nika Prize, the Vatican Prize (presented personally by Pope John Paul II ). Repeated laureate of the State Prize of Russia, People's Artist of the Russian Federation, holder of the Japanese Order of the Rising Sun with Golden Rays (for the film "The Sun").

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The intelligentsia and the people. Interview with Alexander Sokurov, in which the director called for the trial of television journalists in the Hague court. Also in work against the government. These and other topics are discussed Dmitry Kulikovand Olga Podolyan.

Podolyan : At this hour we wanted to talk about reactions.

Kulikov : Yes, about the reactions - adequate and inadequate. On the functions of comprehension and awareness. It seems that our intelligentsia should do this. But I would put the question in this hour: the intelligentsia and the people. But not in its abstract form, but very concretely - who, how and what understands.

To be honest, I was shocked by an interview with director Alexander Sokurov, which came out quite recently. There is a lot of things, I will not analyze all this interview. In principle, everyone is entitled to their opinion, but two things from this interview should be discussed.

The first thing is that, according to Mr. Sokurov, our media, our television is kindling something there, and about this amazing term “kindling” Mr. Sokurov called for Russian TV journalists to be tried in The Hague. That's it, neither more nor less. This, by the way, is such a liberal-democrat, as it turns out, who recently demanded. Sentsov is the leader of the Ukrainian group that prepared the terrorist attacks in Crimea. He is, as it were, a director, and the fact that he was, as it were, a director, according to Sokurov (then he argued with President Putin), was a sufficient reason for Sentsov to be released. Despite the fact that the court proved his guilt, there really was terrorist activity, they really were preparing these terrorist attacks.

By the way, when the question arises, where does repression come from in our society, such terrible mechanisms that we have encountered in history, this is where they come from - from the position of our liberals and democrats, who believe that they are against repression and for freedom. They are against any kind of repression that they think is wrong. But they are very much in favor of correct repression. And all this coexists at the same time in their head, which they consider no less than the "brain of the nation."

Basically, I don't like Russian television, - said Sokurov, - so let's send it to The Hague. By the way, this is also the pinnacle of justice - The Hague. For some reason, Mr. Sokurov does not say about The Hague that the leaders of Yugoslavia, for example, simply died in the Hague prison. And their guilt was never proven. This does not bother Mr. Sokurov. Okay, about The Hague separately.

So, journalists who do not like Mr. Sokurov should be sent to The Hague. And the terrorist Sentsov, whom Sokurov likes, must be released and an "act of mercy" shown to him.

Listen completely in the audio version.

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Speaking on March 28, 2017 at the Nika film award ceremony, director Alexander Sokurov reiterated the question of the political prisoner Oleg Sentsov and called on the authorities to dialogue with the participants in the protests that took place throughout Russia on March 26. The Kremlin, represented by the president's press secretary, Dmitry Peskov, immediately reacted to this, noting that the president had already answered the director's question about Sentsov in December (then, as a reminder, Putin said that “in Russian and in Christianity we act in this situation we will not be able ", that is, he made it clear that Sentsov will continue to sit in prison). The same Peskov earlier suggested that the participants of the rallies were paid money for taking part in the protest, thereby defining the attitude of the head of state to what was happening, who even compared the protests with the "Maidan" and "Arab spring". However, few people paid attention to the fact that the director began his speech at the presentation of "Nika" by mentioning a conversation with his mother, who warned her son that he would be killed if he made this speech, they would kill him for criticizing the current government.

Film director Alexander Sokurov at the Nika National Film Awards ceremony. Photo: Vyacheslav Prokofiev / TASS

We do not know exactly how she told him this, with what intonation and in what exact wording, but how the outstanding Russian artist himself spoke about this in front of a large audience, who is known not only for his films and intercession for political prisoners, but also for his ability to do All sorts of predictions (let me remind you that Sokurov predicted a war between Russia and Ukraine long before 2014), suggests a disappointing thought about the regime under which we really live now. When I listened to Sokurov's speech, I immediately remembered the footage with Boris Nemtsov's mother, bending over the coffin in which her son lay, who was also not afraid to speak the truth publicly and, just a few weeks (!) Before his murder, uttered approximately similar words : "When I call her [mother] regularly, she says: 'Son, when will you stop scolding Putin? He will kill you."

I would like to hope that the murder of Sokurov, also known for his harsh criticism of the head of Chechnya, Ramzan Kadyrov (for example, in August 2016, the director said that in Chechnya today "decisions are made on all political murders in Russia"), it will not come, but one cannot help but to see that real persecution has already been unleashed against him. The first to hasten to dissociate himself from Sokurov's statements was the president of the Nika Prize Andrei Konchalovsky. So, commenting on Sokurov's statement the next day, he specifically stressed that: "The Nika Academy is a professional organization, if someone wants to speak out, Nika provides such an opportunity, but I don't think this is the right place." Konchalovsky also said that he understands when, for example, director Alexander Sokurov sat at the presidential council and had the opportunity to speak, but in the case of Nika, this goes a little "past the box office."

On March 31, the newspaper "Moskovsky Komsomolets" published an article "Sokurov was offered to be deprived of state funding, recalling his words about the Kuriles", in which it is reported that several years ago the director allegedly offered to give the Kuriles to Japan. The editor-in-chief of the Internet publication Politrussia.ru Ruslan Ostashko, commenting on these words, called for ignoring the director's work, as well as depriving him of state funding. "People who call for the transfer of Russian lands to foreign jurisdictions, to some historical owners, they believe, should not receive money from the state that they are trying to sell or donate to someone," he said in an interview with the radio station "Moscow Says" ...

A member of the central council of the Russian Military Historical Society, writer Armen Gasparyan also stated that it would be right to deprive Sokurov of state support. “If you don’t like everything, then please, you can fight in this way without taking into account the state budget. On the other hand, I understand very well that hysteria will follow immediately, that he was hounded, deprived of state funding, a totalitarian regime, bloody Mordor with all the ensuing consequences, ”Gasparyan said.

The Express Gazeta published a customized publication with the headline "The wife of a wealthy financier turned out to be Sokurov's mistress." It is written in the following syllable: "On" Nika "Sokurov was accompanied by a spectacular young brunette. Many took the lady for his new passion. Alexander Nikolayevich helped his companion take off her outerwear, and they almost smiled in an embrace at the lenses of photographers. However, the evening ceased to be languid after that how Herr Sokuroff (for some time now he moved to Germany) climbed onto the stage. Splashing saliva, the master of elite cinema suddenly began to find fault with the "bloody regime." specially trained "cosmonauts." A beautiful brunette devoured the orator-provocateur with an admiring glance ... "

And here is an excerpt from the article "Nanoperformances of Sokurov. For what today they are giving the Nika prize" published in the Internet newspaper "Century": "The reaction of the director from the Russian camp - Yuri Kara is remarkable. Sokurov's speech, living in Germany: “... his look from Germany does not suit us, to put it mildly, because for him this is a show that he watches on TV, but we live here and see what happened in Ukraine, where young people, inexperienced , especially schoolchildren, and forced them to perform there ... I myself am from Donbass. Now bombs are falling on him. This cannot be allowed in Russia. " At the end of the publication, it is especially noted: "The article was published within the framework of the socially significant project" Russia and the Revolution. 1917 - 2017 "using state support funds allocated as a grant in accordance with the order of the President of the Russian Federation dated 08.12.2016 No. 96 / 68-3 and on the basis of a competition held by the All-Russian public organization "Russian Union of Rectors" ".

I will not give examples of other black-eyed publications and accusatory statements of pro-Kremlin propagandists - they can be found quite easily on the corresponding resources. I will only remind you that shortly before the murder of the same Boris Nemtsov, various provocations were also arranged against him - which is only the hanging at the end of January 2015 in Moscow opposite Echo of Moscow, a huge poster with the text “The Fifth Column insisted on sanctions against its country” - with faces of Boris Nemtsov and Alexei Navalny. Nemtsov was killed long ago, Navalny is now under arrest. Now they are openly threatening Sokurov - only because he calls on the state to be more humane towards its own citizens. It seems to me that the director in such conditions is just right to be taken under increased protection, and the authorities, if they do not want serious excesses, should at least temporarily rein in their red guards.

Director Alexander Sokurov spoke about the difficult creative path and love for Japan in an interview with Tatyana Elkina.

TATIANA ELKINA,correspondent:

“Let's start with the premiere. In St. Petersburg you are presenting a video version of the play “G0. GO. GO ”, which you staged for the Teatro Olimpico in Italy. The Italian press wrote the following about this performance: “Animal humanity is on the stage. Power is a disease. Barbarism and civilization mix, and only art helps to understand how to curb the epidemic of power. " Do I understand correctly that this is a kind of continuation of the themes you touched upon in Moloch, Taurus, The Sun and Faust? "

ALEXANDER SOKUROV,

“Only there is she personified. There were specific people, specific characters with specific characters, destinies. And here we are talking about the state of the whole society or the danger that modern civilization has. All are subject to dehumanization and moral self-destruction. European civilization is a complex and very stable phenomenon. It can destroy itself, even war is not necessary. Perhaps as a result of some inner weakness, lack of courage, lack of consistency. As a result of the too aggressive political attitude of the society.

If we talk about Russian civilization - the same thing. When there is a lot of politics in the life of society, when politicians determine the guidelines for the development of society, the guidelines for the development of culture, this is always bad, because politics is neurotic, it never talks about the eternal and about devotion. Politics is a dishonest lady, today one mood, tomorrow another, today one goal, tomorrow another goal. In this sense, culture is much more resilient. She is devoted to the people. They say that the army will never betray the people. It is not true. And the army can lose the war, and the state can collapse, and culture will always remain with the people, even if the enemy seizes the land, and the signs of culture, national culture will save the people. "

TATIANA ELKINA,correspondent:

“You have been doing research on politicians who influenced the world and culture by their political decisions for a very long time. Most of your films are dedicated to this. If we talk about your theatology, in one of your interviews you said that your image was born in 1987 or 1989. What circumstances prompted you to do this? "

ALEXANDER SOKUROV,director, People's Artist of the Russian Federation:

“Probably a genetic interest in history. Since high school, I drowned in the passions of history, I read a lot and very early on realized that there is no one facet of the historical trend and at the same time it is very simple. I began to be carried away by some artistic generalizations, then I got the idea that I should try, that I need to create a programmatic essay, which is not typical for cinema, to create in four parts a kind of narrative that is united by a single theme, although the characters are different. This occurred to me after graduating from the history department of the university. But the Soviet political circumstances suggested that this could be done. "

TATIANA ELKINA,correspondent:

"The heroes of your programmatic work are Hitler, Lenin, Kherohita and Faust, do any of them cause you regret or compassion?"

ALEXANDER SOKUROV,director, People's Artist of the Russian Federation:

“Everyone is compassionate, because whether we like it or not, even the most terrible big villain is a man. And if these villains, who have committed so many crimes, bad deeds, were absolutely artificial phenomena, were brought to us from another planet, it would be very simple - we would simply remove this evil and that's it. But they, all, have internal human qualities, which means that all this infection sits inside a person, and it will sit. Nazism and totalitarianism, everything that results in global criminal acts, wars - everything accompanies us, the nature of man is expressed in everything. "

TATIANA ELKINA,correspondent:

“I would talk about each of the four characters, but I’ll only ask about the Japanese Emperor Hirohito. Historians are still arguing about what caused his political decision in 1942, his behavior during the Second World War. Someone thinks that he is a victim of the Japanese military machine, someone thinks that he is still a dictator. What do you think as a historian? "

ALEXANDER SOKUROV,director, People's Artist of the Russian Federation:

“There was a universal quality in him, brought up as a monarch by unlimited possibilities in unlimited power, but in this case we are dealing with a person whose personality structure was the humanitarian part of life. He was a biologist, an ichthyologist. He was engaged in science, and politics did not represent any passion for him. And I must say that he is the only one of such big criminals who himself realized the fallacy and took a step aside, leading the country out of the state of war. Stalin and Lenin, realizing what total sacrifices the people bear in the process of government, did not make any amendments and did not admit their delusions, Hitler - even less so. Hundreds of German soldiers died, thousands and thousands of our compatriots died in Berlin, but he did not maniacally surrender the city and did not surrender. None of them wanted to give in. Only Hirohito stepped aside, realizing that he could be prosecuted and executed.

One more thing. I argued a lot with our diplomats and talked with scientists and specialists, politicians in Japan of different persuasions (right, left, centrists) about how I perceive Russian some circumstances of Hirohito's behavior. Let's try to imagine if he started a war with the Soviet Union, what would happen to us? In a sense, I say this very relatively, because in the historical process everything is not so simple, he is the savior of our situation. "

TATIANA ELKINA,correspondent:

"Of all your heroes, does he command you the most respect?"

ALEXANDER SOKUROV,director, People's Artist of the Russian Federation:

“Maybe because I have been preparing for this film for 10 years. I have been to Japan a lot, lived there and met with the staff secretly and openly who worked with him, because this was not allowed. I met with experts, worked in archives. I spent 10 years preparing and somehow got into it deeply. I love Japan, just very much. I know that the Japanese are also not easy people, but they treat me somehow absolutely amazingly. And my gratitude is endless. Then they came to my aid, I left to work for them there when it was impossible to do anything here. There was no money, the Lenfilm studio was practically closed, and I made documentaries while traveling across Japan. "

TATIANA ELKINA,correspondent:

“When you talk about your cinema, you often compare it to such a medical model. Your quote: “We are hospital staff, a group of patients is brought to us. Many of them are such scoundrels that it is scary to touch them, but we must accept them, diagnose them, cure them and return them to society, "- it is clear with the diagnosis, but how to return them to society."

ALEXANDER SOKUROV,director, People's Artist of the Russian Federation:

“The artistic method is not a prosecutor's investigation, we are always looking for human roots, in any situation. We are always interested in a person, no matter how badly he is, because once he was a boy, a girl and was an angel, then something happened, sometimes it is clear that, sometimes not, and the person turned into this monster. Let society judge, let God judge. We will not be able to cure, we will be able to cure a little, stop the aggression, we will be able to make a diagnosis and will be able to recommend a drug blockade to the society. But if we start judging, there will be no forces left in society that would be engaged in the delicate study of human nature. "

TATIANA ELKINA,correspondent:

“In your cinema you study human nature, and sometimes you do it with the help of such technical tricks that the audience has a question:“ How is this filmed? ”. In Faust, you shot some scenes with a 6 x 8 meter mirror. How is this possible? "

ALEXANDER SOKUROV,director, People's Artist of the Russian Federation:

“Well, not only in“ Faust ”. We shot both in Taurus and in the film The Sun, where I myself was the director of photography. We also shot with the help of special optical systems: glasses, mirrors, with the help of new lenses, which had never existed before. This is necessary to create a special environment on the site. I will not reveal all my professional secrets. "

TATIANA ELKINA,correspondent:

“About the“ Russian Ark ”. The film was shot in one shot, but there were those who said that there was still one cut. Are they lying? "

ALEXANDER SOKUROV,director, People's Artist of the Russian Federation:

“No, there was no gluing. There was no need for this. There was color correction, since the exposure conditions in such paintings are very difficult. We cannot supply the Hermitage with as much light as we need. When we arrived in Germany, we gathered the best colorists who corrected all issues related to the exhibition. There were no three takes. It was the first time when we turned on the camera, it starts from the street with the entrance to the Hermitage. The camera stopped because the temperature was 26 degrees below zero. But the second time it was already normal. And that first stop was just technical. This, of course, has never happened in the cinema, so that one and a half hours of continuous action. "

TATIANA ELKINA,correspondent:
ALEXANDER SOKUROV,director, People's Artist of the Russian Federation:

“The film was sent to the warehouse of the institute to wash away the negative. We opened the warehouse at night, changed the boxes and took the film. Then they simply hid, hid, hid in Leningrad from apartment to apartment, until the time came with the opportunity to transfer it to Lenfilm. This has already happened during perestroika. "

TATIANA ELKINA,correspondent:

“You were a little under 27 years old when you worked on the film. What happened to you that you made just such a picture? "

ALEXANDER SOKUROV,director, People's Artist of the Russian Federation:

“I was like that. Whether it is bad or good - this is my destiny. This is my life. Unfortunately, nothing has ever been easy for me. I have never been rewarded with any help or support in my life, although there have been cases when they helped me. "

TATIANA ELKINA,correspondent:

"Is this some kind of global premonition of trouble?"

ALEXANDER SOKUROV,director, People's Artist of the Russian Federation:

“I don’t know, I’m not ready to answer this question. I try not to think about it, I try not to analyze it. "

TATIANA ELKINA,correspondent:

“In an interview with Sofiko Shevardnadze, you said that you thought about suicide twice: when you were under investigation by the KGB and when you started having big vision problems. The story with the KGB because of what picture? "

ALEXANDER SOKUROV,director, People's Artist of the Russian Federation:

"Because of the 'Way of Life', because of the connection with Tarkovsky, because of attempts to take me outside the Soviet Union."

TATIANA ELKINA,correspondent:

"What stopped you?"

ALEXANDER SOKUROV,director, People's Artist of the Russian Federation:

“Probably, the strength of character, despite the fact that all these difficult events happened to me, every time there were people who, according to their ability, helped and extended a helping hand. Such a person was Vladilen Kuzin, director of the documentary film studio, and Galina Poznyakova, editor-in-chief of the studio. Because of me, they had a lot of problems, but they always gave me the opportunity to work, if not for their support, I don't know what would have happened to me. "

TATIANA ELKINA,correspondent:

"Did you realize that you were risking not only yourself, but also other people?"

ALEXANDER SOKUROV,director, People's Artist of the Russian Federation:

“I understood this and always tried to help them somehow in solving these very issues. If necessary, I made some double films to cover the production. I have never let the studio down. Only at Lenfiltma there was a big scandalous story. My outlet in those difficult times was only work, even if there was no certainty that it would reach the viewer. I think it always makes sense to try, work and be faithful to your own principles. "

TATIANA ELKINA,correspondent:

“When asked by Vladimir Pozner about the elitism of your cinema, you said that you are to blame for the fact that you cannot be different. There are many people who want to watch you, but cannot, because they do not understand. How to understand you? "

ALEXANDER SOKUROV,director, People's Artist of the Russian Federation:

“Don't force yourself to understand me. I do not force myself to read books that are not interesting to me, which I do not feel. The question is not that they do not understand me, it means that these people do not have emotional, personal contact with me. And it doesn't matter, and thank God. Cinema is not the main art. There is literature, music, and please share yourself with these species. We are together, if there is some kind of sensual, emotional connection, no - then we are different. Life is built on the difference in people, life is built on complex people. Art is always based not on the people, but on a single person. "

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