The role of sleep in organizing an artistic work. Sleep motif in works by N.S

These are dreams that reveal the inner world of heroine. They are uncertain, vague, exciting. Such dreams can really dreamed. "And what dreams I dreamed, Volya, what dreams! Or the temples are gold, or some unusual gardens, and everyone sing invisible voices, and the cypress smells, and the mountains and trees are like not as usual, but how they are written on images. And that seems as if I fly, so fly through the air. "
In these dreams - the dream, the poetry of Katerina. Talking Barbar about dreams of his youth, it complains: "I will not think to think that I will not meet thoughts,

Pray - I won't remember anything. Language to the word, but on the mind it is not at all something: I whisper the crammed in my ears, but everyone about such things is bad. And it seems to me that it will be conscientious. What happened with me? Before the trouble is some kind of ". Such, so to speak, the daily state of Katerina. Next, she continues and speaks of dreams: "At night, cooking, I will not sleep, everything will see some kind of whisper: someone is as gentle by me, exactly pigeon me, exactly the dove worship. I'm not shot, cooking, as before, the paradise trees and the mountains; And exactly leads me someone, hugs so hotly and hotly and leads me somewhere, and I go after him, I go. " Katerina loved, she craves her love, she wants to ride around the Volga, "on a boat, with songs, either on the troika on a good, hugging." "Only not with her husband," Varvara instantly responds.
Katerina's dreams are psychologically justified, they reflect her inner state, changing her soul under the influence of love, its inability to fight "sin". Sleep her and premonition: "I'm just standing on the precipice, and someone pushes me there, and I have nothing to stay there," more precisely, "not for whom." Another heroine, too, of the play, tells his dream about love, the sleep is possible, psychologically justified, but. Invented. In Comedy, A. S. Griboyedov "Mount from the mind" Sofya to hide his confusion due to the sudden appearance of Famusov, justifies: on a vague dream, the belligence is disturbing; Tell you a dream: you will understand then. Let me. see First flowery meadow; And I was looking for grass, some, I can't remember. Suddenly a nice man, one of those whom we will see - as if the ages are familiar, appeared here with me; And inching, and the smart, but the timid. You know who is born in poverty. Magovyov answers only for the last words: "Ah, Mother, do not finish the blow! Who is poor, you're not a couple. " Sophia continues: Then everything disappeared: both the meadow and heaven. - We are in a dark room. To explore the miracle, the floor was revealed - and you from there, pale, like death, and a hair end! Here the door swungled open with the root, some not people and no beasts, we apart - and tormented the sitting with me. He as if I am more expensive to all treasures, I want to him - you drag with you: we have a moan, roar, laughter, whistling monsters, he screams. Let's say straight: talented fiction, but Sophia does not know that, it knows Griboedov.
In this dream - the real state of the heroine, the recognition of her beloved, the background - the meadow, flowers, and the hero himself - from the sentimental novels, who read the girls of that time. In addition, "sleep" turned out to be proposed. It can be noted that Tatiana's dream from Evgeny Onegin is close to Sina Sophia, even a vocabulary and a tonality match something: ".rev, laughter, whistle monsters." 1. Sleep dream Tatiana on the shield. She wanted to burn in the bath, but it became scary, the author "with thought about Svetlana" was afraid of her. Here and the spirit of people's belief, and the "presence" of the main romance of Russia - Zhukovsky, the author of ballads about Svetlana.
As Yu. M. Lotman notes, Tatiana's dream characterizes "her connection with a folk life, folklore. Sleep Tatiana is an organic alloy of fabulous and song images with ideas that penetrate from the sinic and wedding rituals. " This is described in detail in the comments Yu. M. Lotman to "Eugene Onegin". It is especially interesting to interpret all the "magical" phenomena, images and objects (the mirror under the pillow, the removal of the belt, the Bear is a harbinger of marriage, etc.).

1. The drama of the island "thunderstorm" is the most significant product of the famous playwright. She was written in 1860 during the period of public lifting, when the ranks of serfdom were crack and the thunderstorm gathered in the stroke atmosphere ....
2. Scene 7: Wild and Kabaniy through the eyes of Kuligin. The central scene is a monologue of Kuligina "That's what kind of sir, we have a town!", As if the contributing dialogue of the Kabanii with wild, where in the wilderness of wild ...
3. In 1859, A. N. Ostrovsky writes drama "Thunderstorm". In this work, a significant place is re-assigned to female images that have attracted the playwright. In his plays, the writer for the first time in Russian literature ...
4. But many who choked with love, do not finish how much zovi. The score is driven by Solva and Puffy. But this account is tested on blood. And we will put candles in the headboard killed from the unprecedented ...
5. Pieces of A. Ostrovsky are saturated with a variety of symbols. First of all, these are symbols associated with the world of nature: forest, thunderstorm, river, bird, flight. A very important role is played in the plays and the names of the heroes, the bowl of everything ...
6. A. N. Ostrovsky in his play "Thunderstorm" divided people into two categories. One category - oppressors, representatives of the "Dark Kingdom", the other - humiliated and the people scored by them. Representatives of the first group -...
7. Already at the beginning of his creative path, A. N. Ostrovsky appeals to the image of the "dark" sides in the life of Russian society. In the world, which criticized the "dark kingdom" criticism, despotism and ignorance, self-joy ...
8. With the name of A. N. Ostrovsky in Russian literature, the creation of national-distinctive dramatic arts is connected, calculated, as written by the playwright, "for the whole of the people." Some of the best and significant achievements are plays ...
9. A. N. Ostrovsky in the play "Thunderstorm", written in 1859, showed life and morals of the Russian provincial society of that time. He revealed the problems of morality and the disadvantages of this society, showing the main features of the Samoram ....
10. A. N. Ostrovsky in his work continued and developed the traditions of the realism of Comedy Fonvizin and Griboedov. He wrote: "History left the name of the great and ingenious only for those writers who could write ...
11. Many writers of the late nineteenth century wrote about Russian merchants. Interested in authors and the position of a woman in a merchant family. This topic dedicated to the play "Thunderstorm" A. N. Ostrovsky and essay "Lady Macbeth Mtsensky ...
12. "Didnotection" is one of the most significant places of the Ostrovsky last period - "Nonmennica" (1878) - and some respects resembles a "thunderstorm". But differences are perhaps more than similarities. The composition of the new play is organized more strictly: everything ...
13. There are female images in Russian literature, which became the incarnation of passionate and extraordinary natures. Such are Tatyana Larina and Katerina Kabanova. There are Nekrasovsky Monumental Images: "The horse will stop the horse, in the burning hut will enter." ....
14. "Public garden on the high bank of the Volga; Behind the Volga is a rural look, "Ostrovsky opens up" thunderstorm ", the Russian tragedy is ascended over the Volga wide, swinging to the All-Russian expanse, he immediately ...
15. In 1856, Alexander Nikolayevich Ostrovsky had to get closer to the Volga and Volgary. The maritime ministry was equipped with an expedition for the year for describing the life, life and fishery of the population living on the shores ...
16. The drama of the island "thunderstorm" is distinguished from the great set of his plays precisely thanks to Katerina. In the drama, very rarely happens a "alive" positive hero. As a rule, the author has enough paints for negative characters, and ...
Piez A. N. Ostrovsky "Thunderstorm" was written on the materials of the author's trip in 1856 along the Volga. The playwright was planned to write a cycle of plays about the provincial merchant, which would have to be called "Night ...
17. If Katerina feels in a new way, no longer in Kalinovski, but does not give up this report, deprived of a rationalistic understanding of the exhaustion and the doomes of traditional relations and forms of life, then Kabaniha, on the contrary, feels more ...

And I can sleep, I am awakened,
If I saw me asleep.
Calderon de la Barka.
"Sleep is an unprecedented combination of experienced cases," this is the statement of Freud about a dream has become aphorism.
Dreams about the past. Dreams about the future ... Dreams of Vangi, Nostradamus, Seneki, Carnegie, Freud, Castaneda and dreams of literary heroes. Dreams of great writers and ordinary mortals.
... Archetype Jung K.G. And the symbols of the Orthodox Prov ...
Many psychologists by experiments proved that sleep content depends on many external factors: sounds, sensations, atmospheric pressure, body positions, - subjective external and internal reasons.
Many heroes, both in life and literature, in the turning point of their fate see the prophetic dreams, - our subconsciously sighs the coming losses, death, love ...
There is not a single large master of the word who did not apply to a dream as God's providence, which is largely or lesser by any mortal.
And sleeps the rich and in a disturbing
The wealth is dreaming to him.
And sleeps the poor man and shlets
In a dream I will go to my own.
And sleeps-hazardous success.
And the deprived sees a dream.
And dreams one who insults,
And dreams one who is offended.
And everyone sees a dream about life
And about your current day,
Although no one understands
What he exists in a dream.
Lucretia.
You can say: what is the person, this and his dream. This thought perfectly confirms the story of Mikhail Kotsjubinsky "Sleep".
Hero story, Teacher Anton, in the morning, still lying in bed, listened to the grooms of dreams, prosaic, boring, as reality, its reality, peace.
Unlike Martha, Anton wanted something to survive, strong and beautiful, like a sea storm, like a breath of spring, a new fairy tale, to pass a missing song, which, folding the wings, resting in his chest. He would have found new words, not those with autumn leaves rustled under their feet, but full, rich and ringing.
Thirst for beauty. Sometimes only miracles came to life in a dream. Anton loved dreams and treated them, as if swimming around the sea night.
For him there was no difference between sleep and reality. What a difference may be, if you also see in a dream, you laugh, suffer, worry? Is the reality that does not disappear as without a trace as a dream?
Once tired boring, fresh, everyday life, Anton tells his march dream, amazing, talented, poetic, with god-like paints: with the island among the sea, with gently flickering, illuminated by the lunar light of the colors of silver gray, with ancient hieroglyphs on the sea, - with letters Happiness, with live blood in stone veins.
He has already spoken not only that he was brought in a dream, he felt the need to create.
She, stunned, conquered the beauty of the word, walked for him unnecessary, third, like a shadow, surprised by the power of poetry.
So the dream came in his soul, free from everyday affairs.
And March was frightened: she owned her husband's body, not his beautiful soul.

"The next day, the wife met Anton in a new blue suit, transformed, lightning, young. In the dining room, Bells Bells, a fresh tablecloth table, and on it in a high crystal vase, fresh roses were blushing. It was a surprise.
... They often quarreled, but as after rain the tears, threats of thunder and lightning views, the land becomes easy, fresh, young, and the heart of Martha, bloomed and young. She could sometimes find a common language with her husband.
Now more and more on their table alaries of roses. "
As we can see, in this dream, unrealized forces of creativity, the thirst for beauty, and the vague scraps of unfulfilled, unfulfilled wishes were transformed into a multicast, poetic mosaic: her husband, like Moses, reworked the prose of life, destroyed the fusion.
Sleep helped us to understand better character of the hero, showed the deep forces of the main character.
Sometimes the charge of sleep is so high that all day gives the woided remarkable power of good.
In some cases, sleep helps to understand the situation and even make a decision: to make a choice between personal and public, between duty and passion, although the decision step is often painful for any person.
For example, consider the dream of Anna Karenina at the time of its split between her husband and Vronsky.
Almost every night she dreamed of the same dream: both Vronsky, and Karenin, her husbands; In the dream, everyone was satisfied, everything that seemed unbearable in real life, became possible and easy.
Sigmund Freud argues that our most hidden desires are often executed in a dream.
People often dream what they do and what they are interested in. (The doctor does not see in a dream that he teaches children, but a teacher - what he operates).
Our intellect pours out impressions from outside, in the form of time, space and causality.
Sleep source is material from real life.
In the poem, Lucretia "On Nature of Things" have lines confirming this thought:
If anyone is busy in some way diligently,
Il was given to something for a long time,
And fascinated our mind constantly lesson this
That and in a dream it seems to us that we do the same:
Strank bruises leads, the warlord goes to war ...
It is indicative in this regard, one of the most interesting heroes of the novel "Crime and Punishment" F. M. Dostoevsky-Svidrigaylov.
Take three small sleep Svidrigaylov at the time of his suicidal sentiment.
Svidrigayilov spent the last night of her life in a stray hotel. In his room it was full of mice.
And the Svidrigaylov will dream of sleep that the mice crawl along his blanket, then they run over the gate of the shirt.
For many dreams, mice symbolize insidious ideas, from one point of view, and on the other, - before falling asleep, Svidrigaylov saw mice and heard their squeak. According to the archetypes of Jung, the mice designate walling. But the hero and woven the day before.
It was rumored about Svidrigaylov, as a rapist drowned with grief and resentment of a 14-year-old deaf-and-dumb girl.
The rape of this girl, and even more so, her death was left in the depraved and very impressive soul Svidrigaylov's deepest trail. Just for several years, this impression was supplanted by other realities, for example, love for the Dunya, Sister Raskolnikov.
The subconscious mind says Svidrigaylov: "You destroyed the innocent creature, die myself."
In the third dream, the hero appears on the eve of the hero, he sees a five-year-old girl who escaped from the violence for a broken plate from the mother-drunkenness.
Svidrigaylov sees in a dream that he, as a father, carefully covered the child and came to see: Is the girl sleeping?
In a dream, Svidrigaylova's soul was visible because the girl had a view of sales Camellia: "How ... and a five-year-old already corrupted?"
According to the folk etymology of sleep, the girl is a symbol of surprise, and the view of the Sales Camellia denotes the depravity of the soul and its empty.
Ancient, to Aristotle, was considered a dream, as is known, not a product of a coloring soul, but suggestion by the Divine. They distinguished the true and valuable dreams, sent by sleeping for a warning or to predict the future, from vain, deceptive and insignificant, the purpose of which was to embarrass the sleeping or imagine him into death.
To confirm this thought, take the story of S.N. Lady "Lady Macbeth Mtsensky County."
In this work, we are talking about the young Kupachikha Katerina Lviv Izmailovaya, a married 24-year-old woman, a childless, living sleepy, plant life. While she does not like anyone with a soul, while the passion did not touch her, her body devotedly belongs to her husband, 53-year-old merchant Zinovia Borisovich Izmailov, whom to her fathers.
But here the mighty passion flooded the heart of Katerina, the passion for Clauds in Seryozha, a sallopular, broken, non-permanent and mercenary man. For the sake of this passion, Katerina goes for three murders: Svokra, her husband and the nephew of Fedi.
Before each murder, she dreams the same dream: the cat goes around her hands and plays, playing with her, with Katya.
Why did magicians and sorcerers previously portrayed with cats? Because cats were a symbol of enemy, demonic power. Sleep helps us it is better to understand that insidious and dark passions play the soul to K.L.Ismailova, that she does not think to resist them.
Different peoples have different ideas about the origin of dreams.
For example, Shakespeare in the tragedy "Romeo and Juliet" explains sleep with words:
-All queen MAB.
The name of this queen of Celtic origin (England before the conquest of its Anglo-Saxons in 5-6 centuries was inhabited by Celts).
MAB, according to a popular belief, replaced newborn babies, facilitated the birth of dreams.
Here is how the shakespeare describes Shakespeare:
All Queen MAB. Her leprosy.
She hit the fairies.
And in size, from pebbles agate
In the ring at the mayor. At night she
On the gear of the dusty Tsugom goes
Along the noses, we while we sleep.
In wheels - spokes from sparse paws.
Kareny top of the wings of locusts,
Hermit belts - spitty spitty,
And clamps - from dew droplets.
Shakespeare himself considers the source of sleep "... the fruits of the bellish-dreams and sleeping dreamed dream."
In the tragedy of Romeo and Juliet, Shakespeare describes the dream of Romeo after the Monk Lorenzo marked the montexts with Juliet Capulinte. Romeo was executed by the most peacekeeping desires, Made with his love to reconcile two kinds warring two, but his good intentions prevented the cousin Julietti-Tibalt, Zasiak and Buyan like Pushkin Buyanov.
Tibalt killed a friend Romeo Mercutio and called Romeo Coward. Young husband in passing state and insulted pride fights with Tibalt and kills him.
The whole family of Kapulenti hates Romeo and eager to take revenge.
It's good that the mayor of the city is a judiciary: having understood in a situation, he is a deadly execution of Romeo on expulsion from Verona to Mantua.
But expulsion for young loving like death.
Juliet is repeatedly crying, and her father decides to give daughter for a worthy Paris to stop the flow of tears, as he thinks because of Tibalt.
But Juliet is so faithful Romeo, which is ready for any flour:
I will get back from the tower
Jumping to robberry
And get to the snakes,
And let yourself be sowed with a bear,
I am better instead of a wedding agree to swell
In the dead or a spoon in a rupture grave, -
Everything about what I was before hearing could not crash,
Now I, do not hesitate, I will
So as not to break the loyalty of Romeo ...
True love makes a woman very bold.
Seeing the determination of Juliet, the monk gives her sleeping pills.
The girl takes the potion and flows into a lethargic sleep.
In the gravestone crypt, where the girl will wade, Lorenzo promises to bring Romeo to young husband and wife to run to Mantua.
Giovanni, Brother Lorenzo, was unable to penetrate Mantua because of Quarantine and give Romeo letter Lorenzo.
Baltazar finds Romeo and informs the terrible news that Juliet died.
Before Romeo heard the tragic news, he saw sleep:
... my wife came to me.
And I was dead and, dead, watched.
And suddenly the hot lips came to life
And was proclaimed the king of land.
Romeo is so deciphering his sleep:
When I have the right to trust SNU,
He promises me greater joy.
I am excited and merry all day.
Some Living Forces
I seem to be worn on the ground.
But we know that I am not joy, and the terrible grief is waiting for Romeo: He will know about the death of Juliet, will buy poison, kill Paris in the duel, will drink poison and die at that moment when Juliet comes to life, and then leaves after his beloved ...
Why did Romeo dreamed of sleep-reversal when everything happens on the contrary?
We think that people who committed a crime, the subconscious becomes turned outward. But the rome-unwarked killer.
If you see the symbols of the Bulgarian healer of Vanga, it turns out: to see his own death - the sign that the hero and the heroine expected a long and happy life with a loved one.
But Romeo did not believe the prediction, and now ... The story about Romeo and Juliet will remain sad in the world.
The dreams are well characterized as the subconscious, and the collective unconscious. There are dreams peculiar to the mentality of the whole people, even the whole universe.
The author of the book "Traditional symbolism of stacking", the poet, the artist and the occultist V. Prov believes that seeing dead relatives, friends or loved ones denotes the fulfillment of secret desires; Hope to receive support, longing for the warmth of the relationship; Weather change. But if the dead kisses, calling, leads, such a dream symbolizes serious illnesses, danger, death.
Italian scientist Antonio Meneghetti thinks that the deceasedes seen in a dream will signal us about the transition to another state.
But how this symbol lives in the subconscious N.T. Garina-Mikhailovsky, the author of the story "Grandma" about the "mistress of life", the owner of a large, for five provinces, leather business. This intelligent, great, strong, sixty-year-old woman took great power over the huge Volga District. Not only "the power of money" is spiritual about her. She led her a courageous hand, unconditionally, despalingly subjugated his son, a good young man, a talented musician. He herself found him the bride, beauty and richku, removed his beloved Pasha from the road, married the one that brought to the dowry millions.
And when it turns out that its plans threatens the collapse, it demonstrates the daughter-in-law of nezensky cynicism: everything is subordinate to the Golden Taurus, and the dim brilliance of the omnant metal Mutits human souls.
And the grandmother is dying.
Before death, she dreams sleep:
- I am here here, at this place, and I am waiting for something: now the door is dissolved, and I find out everything quietly, so quietly the doors themselves will decide, and the darkness of them is imperpressible, and I look out, my husband comes out of darkness My deceased, and I know that he died, and I already know why he came. And I say to him: "For me, what?" And he is sick of his head.
And the grandmother began to gather on a long road. And soon she really died.
When the grandmother was looking for a bride with her grandchildren, she visited Elabuga, I washed the Vyatka, White, Kam, gathered in Perm, as not far from Kungur, she dreams sleep:
- I am a dream that I am in the forest. Ate high, to the sky, shaggy, I, I look looking around, without a road ... Suddenly, a bear is right on me, - huge, on the hind legs. I want to shout, there is no voice, and he snatched me yes the face pokes the face, pointed Morda shaggy yes soft ... and human goal, yes, like a gun: Fedya!
And the grandmother went to Kungur, and found Fed the Bride.
Many Russian writers have a bear in a dream symbolizes walling and ambulance.
For example, A.S. Pushkin in the novel in the verses "Eugene Onegin" depicts the pursuit of the bear in the dream of Tatiana ... "Tatiana - Forest, Bear - Behind her," and soon the author of his beloved heroin gives married ... For the general: no wonder the Russian people Calls both General Toptygin.
K.G.Yung believes: "Dreams are a secret door to the inner world of the soul. They go from the uniting depths with all their childhood, grotescia and amorality ... Dreaming -what nature and no difference from what they are. They do not deceive and disguise, they naively explain what they are, and what they mean. Dreams, since they denote the unconscious, they can give us a compensatory perspective of a conscious personality life. "
Take, for example, the story of Ernest Hemingway "Old Man and the Sea". The effect of this work begins with the fact that the old man went to the sea for 84 days and did not catch a single fish. The boy helped him.
But the day after the day did not bring a catch, and the manolin-boy parents were forbidden to catch fish with Santiago-old man, calling him Salao, i.e. "The most uncomfortable".
The boy sorry was the old man, and he fed him, wore him coffee and did not lose faith in him.
Sad, as the guitar strings inadstand, responded to Santiago's conversation before bedtime:
-And my old age alarm. Why are the old people so early wake up? Is it really to extend yourself at least that day?
When the old man, hurry to the newspapers, pounded, he dreamed of Africa his youth, long golden shores and high shames, -Tee white, that the eyes hurt, - High cliffs and huge brown mountains, every night he again praised these high shores, heard in A dream, as roars with a surf, and saw the natives boat carries on the land, in a dream he again breathed the smell of resin and pacles, which came from the deck, breathed in the smell of Africa, brought from the shore of the morning wind.
He now no longer dreamed of either storms, nor women nor great events, nor huge fish, no fight, no match, nor wife.
He dreamed of only distant countries and imprint, who went ashore. As if kittens, they jumped in a twilight Mol, and he loved them just like a boy. But the boy never dreamed.
This is an example of compensatory sleep. In old age, the problems of spirituality and the condition of rest are more concerned. The whole life of Santiago passed under the motto:
- SELLOW can be killed, but it can not be defeated.
Thinking in good luck, the old man is far away far away from Havana and three days in the ocean fighting marlin, a huge five-meter Silver-lilac color sword.
Not only that Santiago had to cut his hands to themselves, fattered his back and shoulders, then raise a half-bottle of the water to the surface of the water and kill her, the station had to fight off from a set of sharks by a bug, a knubine knife.
In the midst of the battle with a fish, the old man who asleep at half an hour, had a huge flock of sea pigs stretching at 8-10 miles, and since they had a wedding time, they were highly jumped in the air and dived back to the same water pit.
Then he had a dream that he was lying on his bed and the hut would blow the northern wind. And only then he was dreamed of a long yellow swelling, and he saw the first lion at twilight, and behind him - others.
For folk symbols, the pig indicates a nuisance.
The wind and the hut and desire to return home and relax.
Lev-happiness, self-confidence.
When Santiago woke up, he began the most dangerous fight against five hundred cellogram fish.
By defeating the fish, I had to fight hungry sharks. Big and knife broke down. There is one dumina.
... When Santiago sailed to Havana, a tail, a five-meter white naked spine line and a dark shadow of the head with an outstanding sword remained from his fish.
The old man's courage remained unlikely.
No wonder Santiago, the lions are shot every night, symbolizing phenomena associated with the human heart and, above all, a noble faithful friendship.
... We noticed that in ideologized books, the place of dreams takes politics.
Take, for example, a good German writer Herman Kant and his novel "Weekend". On a distance of 418 pages, not a single artistic image of sleep. The novel is written quite well, it is told about how the editor of the world's best illustrated magazine was offered a ministerial portfolio, which our hero David the Throat seems too heavy and responsible. In the novel, many positive reasoning about your favorite work as a sense of life, memorable pages - about tenderness, penetration, about love, hundreds of sentences of a subtle humor and brilliant irony, but for it constantly flashes words about the party, Lenin, Stalin, Marx and Engels.
In such conjunctural books, despite the talent of the author, there are no dreams.
There is no description of dreams and in works telling about the World Brotherhood and World Love, about social injustice and class struggle.
I want to take an outstanding Austrian playwright of Theodore Franz Chocor as an illustration of a play.
Logically constructed "iron" composition, bright convex characters, conflict situation, very tense intrigue.
The play begins with the show of the first meeting of the "Human Rights Society", the founder of which was ingenious, early Dierce Georg Boochner, a kind of Messiah, although not believing God.
How he wants to stir Germany from hibernation, awaken in the peasants protest against social inequality. How he loves the French bourgeois revolution! As behind him, loving it, students go and put their young heads on the altar of the future.
But his best friend Konrad Kul bets comrades because of the excitement of the spy and unbearable cynicism almost just like Juda-Christ.
Boochner dies. Schulz, a true friend, compares George with the Savior: They are all dying on the cross, even if they do not believe in God.
In connection with the word "cross" I want to recall another literary hero and his sleep - the dream of Nikolai Stavrogina from the "demons" of Dostoevsky.
It would have made his cross Stavrogin if he became the Creator. The essence of the Stavrogin cross lies in the richest nature, which the hero will face, betray, "comes abominous", as the old man Tikhon says.
Nikolai did not assign his cross, because he did not become the Creator. The hero's genuineness was not in masterpieces, but in Besnowness.
Stavrogin- man, Power Immumbers: Everyone in love with him: both Shatov, Kirillov, and Varvara Petrovna, and Chromonozha, and Dasha, and Lisa, and the wife of Shatov ... everyone obeys him. But at the apparent omnipotentity, he is powerless revived.
All betrayed Stavrogin, who adored him, guarded, and he himself hangs.
His own soul devoted to them, spiritual provocatement -Simvoli Nikolai Vsevolodovich Stavrogina. By the way, the name "Nikolai" denotes the "winner", Vsevolodovich, who owns, and the Stavrogin- "Cross", i.e., maybe the Lord himself put a cross on him, and he was destined to accomplish his crimes, - this is one of them And the associated dream: Once from curiosity, Stavrogin raped a girl who did not stand the shame and was worn.
Before you go to the Choslauchik and do away with you, the girl left the head of the Stavrogin, expressing the highest reproach to the seducer with this gesture, and shook the seductor to the cam. This gesture shook rapist.
And although the hero boasts that neither kind of good, nor the evil, that his mighty nature can withstand everything, nevertheless, being in Frankfurt and passing by the paper shop, he noticed the girl's card, similar to the hanging Matriash.
The hero bought a photo, but never looked at her.
Following Germany, Nikolai Vsevolodovich drove his station and was forced to stay in a stray hotel. The ring was delicious and fell asleep at four o'clock. He dreamed of a dream who describes the Stavrogin himself in his confession: "In Dresden, in the gallery, there is a picture of Claude Lorrene, it seems, according to the catalog," Asis and Galatia ", I also called her" the Golden Age ", I do not know why.
I have already seen it before, and now, three days ago, once again, I noticed a passion. This picture dreamed of me. But not as a picture, but as if some kind of excellent.
This is the corner of the Greek archipelago, blue gentle waves, islands and rocks, a blooming coastal, the magic panorama away, the setting calling sun - you will not pass. The European humanity has remembered here, here are the first scenes from mythology, his earthly paradise. Lovely people lived here! They got up and fell asleep happy and innocent; The groves were filled with funny songs, the great excess of bad strength went into love and in the innocent power of joy. The sun poured these islands and the sea, rejoicing on their beautiful children. Wonderful sleep, high confusion! The dream, the most incredible of all, which were all humanity all his life gave all her strength for which everyone sacrificed, for which the prophets were died and killed, without which nations do not even want to live and can not even die. Everything is feeling I seemed to live in a dream; I know that I just dreamed, but the rocks, and the sea, and the oblique rays of the setting sun - all this, I seemed to have seen when I woke up and revealed my eyes, for the first time in my life, shamened with tears. A feeling of happiness, I am also unknown, my heart went through my heart. There was a full evening. In the window of my small room through the greens standing on the window of the colors broke through a whole bunch of bright oblique rays of the setting sun and poured me with light. I quickly closed my eyes again, no matter how thirst for returning a minted dream, but suddenly, as it were, among the bright-bright light, I saw some tiny point. She took some kind of image, and suddenly I was clearly a tiny red spider. (When Stavrogin raped Matrius, he noticed that Gerani crawls a tiny red spider. And this item is very symbolic: the crime is associated with the bloody tennes that the hero is spluous around the girl. ). I immediately remembered on a geranium leaf. Something as if it looked into me, I raised and sat down on the bed ...
I saw in front of myself (oh, not in reality! If it was real vision!), I saw Matriot, who was gone and with feverish eyes, exactly like when she stood on the threshold and, nodding my head, raised on I am your tiny camber. And never anything was so painful! A miserable despair of a helpless 10-year creature with an accusable reason, I was threatened (what?) (What could I do?), But the accused, of course, one herself! There was never anything like that with me. I sat down until the night, without moving and forgetting time. Is it called a remorse of conscience and repentance? I am unbearable only this image, and it is on the threshold, with your raised and threatening cam. That's what I can't make it, i.e. Since then, it seems to me every day. Itself seems to be, and I call him himself and I can not call, although I can't live with it .. I know that I could eliminate the girl when I want. But the fact of the matter is that I never wanted to do, I myself do not want and I will not want: I already know about it. So continue up to my madness.
So, we come to the conclusion that the dream in the artwork helps the reader to penetrate into the deep, natural, layers of the subconscious of the literary heroes. Sleep plays either the compensatory role of unrealized desire, or has the importance of the monitoring of the turning point in the life of a person, the intervention of fate in the hero's plans; Or a minor experience of the day, obtained by the outside, the dream turns into hyperbolic forms of time, space and causality explaining the religious and aesthetic views of artistic characters.

Reviews

Well it is necessary! Written so wrote !!!

Where did you come from?
To the joy Ile grief!
.......
One journalist fell asleep at work. Right at the table. He dreamed ... He woke up and recorded sleep. Leaves on the table.
Came editor. I thought that a report from the scene. And published the material.
Printed. (Blast Krakataau)
It was in time when there was no relationship in our understanding and in risen !!!
The journalist admitted that this is a dream. He was fired. Began to prepare a refutation, because the material reprinted other newspapers ...
But then there were messages ....

What is it? A dream that does not need to be interpreted at all.

What is a dream that directly indicates is indirectly through interpretation-or pleased, or scares, or is misleading? What is sleep? What do you think yourself? And amazing business! In this life, we are granted so much guidelines, and we just wander in them, disappear from them, doubt and do not know, what to believe, and what to consider it just nonsense. Whether it is interesting to walk in a secret human being, in the mystery of the person himself who naively believes that the power of the mind is able to either understand, do not hear the voice of his soul, which has its ways to make the analysis of all things on Earth, but her voice has no specific wording. But is it?
It is written just wonderful. Your knowledge is really worthy of respect and appreciation for research relationship. But even in a simple, not literary life, if nobody embodied it in the artistic work, the absolute reality of the vision of this world, which is not familiar to the mind, is very boring the mind enough, without amazing spirit, the soul, which always wants to reach the person , penetrate his limited brain and admire knowledge unusual! It is unusual. And at the same time simple, see and hear. You write poems. What do you see, what do you hear? Where does it come from? Is such a humbled? And that is all?
Or maybe otherwise? Why exactly your soul has access to verses and in what you write, and there is no other? And so much write, I tell you! But why? A simple question, almost children! In its naivety. But sometimes it is useful to reason simply, you have a more open shower to the perception of this world, the more free, who does not endure the authorities who do not want to fuse, but who wants to agree, i.e. You are different from others with your spirit, the soul, what only the Lord gives, so that humanity does not rush into the abyss of idiocy and barbarism. There are loafs and loafers among the great? Of course not. They are burning! As if they do not have time to say what should!

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These are dreams that reveal the inner world of heroine. They are uncertain, vague, exciting. Such dreams can really dreamed. "And what dreams I dreamed, Varenka, what dreams! Or the temples are gold, or some unusual gardens, and everyone sing invisible voices, and the cypress smells, and the mountains and trees are like not as usual, but how they are written on images. And that seems as if I fly, so fly through the air. "

In this dream - the real state of the heroine, the recognition of her beloved, the background - the meadow, flowers, and the hero himself - from the sentimental novels, who read the girls of that time. In addition, "sleep" turned out to be proposed. You can see that Tatiana's dream from Evgeny Onegin is close to sleep Sophia, even a vocabulary and tonality in something coincide: "... roar, laughter, whistling monsters ..." 1. Dream dreams of Tatiana on the shints. She wanted to burn in the bath, but it became scary, the author "With thought about Svetlana" feels behind her. Here and the spirit of people's belief, and the "presence" of the main romance of Russia - Zhukovsky, the author of Ballads about Svetlana.

Katerina's dreams are psychologically justified, they reflect her inner state, changing her soul under the influence of love, its inability to fight "sin". Sleep her and premonition: "I definitely stand on the precipice, and someone pushes me there, and I have nothing to stay there," more precisely, "not for whom." Another heroine, too, of the play, tells his dream about love, the sleep is possible, psychologically justified, but ... invented. In the comedy A. S. Griboyedov "Mount from the mind" of Sofya to hide his confusion due to the sudden appearance of Famusov, justifies: on a vague dream, the belligence is disturbing; Tell you a dream: you will understand then ... Allow ... See ... First, flowery meadow; And I was looking for grass, some, I can't remember. Suddenly a nice man, one of those whom we will see - as if the ages are familiar, appeared here with me; And ingratiating, and the smart, but the timid ... You know who in poverty is born ... Magazov answers only for the last words: "Ah, Mother, do not finish the blow! Who is poor, you're not a couple. " Sophia continues: Then everything disappeared: both the meadow and heaven. - We are in a dark room. To explore the miracle, the floor was revealed - and you from there, pale, like death, and a hair end! Here the door swungled open with the root, some not people and no beasts, we apart - and tormented the sitting with me. He as if I am more expensive to all treasures, I want to him - you drag with you: we have a moan, roar, laughter, whistling monsters, he screams. Let's say straight: talented fiction, but Sophia does not know that, it knows Griboedov.

On the example of the life of a separate family from the fictional city of Kalinov in the play "Thunderstorm" is the entire essence of the outdated patriarchal arrangement of Russia of the XIX century. Katerina - the main heroine of the work. She is opposed to all other existing people of the tragedy, even from Kuligina, who also stands out among the residents of Kalinov, Katya features a protest power. Description of Katerina from "Thunderstorms", the characteristics of other characters, the description of the life of the city - all this consists in the implanting tragic picture transmitted photographs for sure. The characteristic of Katerina from the play "Thunderstorm" is not limited to the author's comment in the list of actors. The playwright does not give an estimate of the actions of the heroine, removing the duties of the all-knowing author. Thanks to such a position, each perceiving subject, whether it is a reader or a viewer, it can give an assessment of the heroine on the basis of his moral beliefs.

Katya was married to Tikhon Kabanova, the Son of the Kupchi. It was issued, because then, according to the housework, the marriage was rather the will of his parents than the solution of young people. Kati's husband is a pathetic sight. The irresponsibility and infantality of the child bordering the idiotium, led to the fact that Tikhon is not capable of anything other than drunkenness. In Marfe, Kabanova fully embodied the ideas of Samorams and a chandeliness inherent in the "dark kingdom".

Katya is striving for freedom, comparing himself with a bird. It is hard to survive in conditions of stagnation and slave worship of false idols. Katerina truly religious, every trip to the church seems to be a holiday for her, and being a child, Kat him mounted, as if she hears angelic singing. It happened, Katya prayed in the garden, because she believed that her prayers of the Lord would hear anywhere, not only in the church. But in Kalinov, the Christian faith lost whatever internal filling.

Katerina's dreams allow her for a long time to escape from the real world. There it is free, like a bird, free to fly where he wants, without obeying any laws. "And what dreams did I dream, Varenka," Katerina continues, "what dreams!" Or the temples are gold, or unusual gardens, and everyone sing invisible voices, and the cypress smells, and the mountains and trees are not as usual, but how they are written on the images. And that seems as if I fly, so fly through the air. " However, in recent times, Katerina has become inherent in some kind of mysticism. Everywhere she begins to see the ambulance dying, and in dreams she sees a deer, who hugs her warmly, and after rubies. These dreams were prophetic.

Katya is dreaming and gentle, but together with her fragility in Katerina monologues from "Thunderstorm" is visible and power is visible. For example, a girl makes a decision to come to meet Boris. She overwhelmed doubts, she wanted to throw the key from the wicket in the Volga, thought about the consequences, but still made an important step for himself: "Throw the key! No, never in the world! He is mine now ... Be what happens, and I will see Boris! " The house of Kabani waspowd by Kate, Tikhona girl does not like. She thought to get away from her husband and, having received a divorce, honestly live with Boris. But from the samotor of the mother-in-law was nowhere to hide. His hysteries Kabani turned the house to hell, preserving any opportunity for escape.

Katerina is surprisingly astonishing towards himself. The girl knows about his character traits, about decisive moral moral: "Such I originated, hot! I was still six years old, no more, so I did! They offended me with something at home, and the case was in the evening, so dark; I ran out on the Volga, got into the boat and pulled it from the shore. To another morning, found, leaving for ten! " Such a person will not be obeyed by samotor, will not be subject to dirty manipulation by the Kabani. Katerina is not to blame for what was born during when the wife had to unintently obey her husband, was an almost accidental application, whose function was confused. By the way, Katya herself says that the children could be her Otradai. That's just Kati has no children.

The motive of freedom is repeated in the work many times. Interesting, the parallel of Katerina - Barbara appears. Sister Tikhon also strives to be free, but this freedom must be physical, freedom from despotism and prohibitions of the mother. In the final of the play, the girl runs away from the house, gaining what he dreamed of. Katerina also understands freedom otherwise. For her it is an opportunity to act as she wants, to take responsibility for his life, do not obey stupid orders. This is freedom of soul. Katerina, like Barbara, gains freedom. But such freedom is achievable only by suicide.

In the work of the island "thunderstorm", Katerina and the characteristic of its image was perceived differently criticized. If Dobrolyubov saw in the girl the symbol of the Russian soul tormented by the patriarchal domain, then Pisarev saw a weak girl who herself drove himself in such a situation.

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